The Missa prolationum is a musical setting of the Ordinary of the Mass by Johannes Ockeghem, dating from the second half of the 15th century. Based on freely written material probably composed by Ockeghem himself, and consisting entirely of mensuration canons, it has been called "perhaps the most extraordinary contrapuntal achievement of the fifteenth century", and was possibly the first multi-part work written with a unifying canonic principle for all its movements.
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| - Missa Prolationum (de)
- Missa prolationum (en)
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| - Missa Prolationum ist der (postume) Titel einer Vertonung des Ordinarium Missae von Johannes Ockeghem.Die Besonderheit liegt in der kompositorischen Gestaltung: notiert sind nur jeweils zwei von vier Stimmen – die beiden nicht notierten Stimmen sind aus den vorhandenen in der Art von Intervall- und Proportionskanons heraus abzuleiten. Als Entstehungszeitraum wird die Mitte bzw. zweite Hälfte des 15. Jahrhunderts angenommen. (de)
- The Missa prolationum is a musical setting of the Ordinary of the Mass by Johannes Ockeghem, dating from the second half of the 15th century. Based on freely written material probably composed by Ockeghem himself, and consisting entirely of mensuration canons, it has been called "perhaps the most extraordinary contrapuntal achievement of the fifteenth century", and was possibly the first multi-part work written with a unifying canonic principle for all its movements. (en)
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| - Missa Prolationum ist der (postume) Titel einer Vertonung des Ordinarium Missae von Johannes Ockeghem.Die Besonderheit liegt in der kompositorischen Gestaltung: notiert sind nur jeweils zwei von vier Stimmen – die beiden nicht notierten Stimmen sind aus den vorhandenen in der Art von Intervall- und Proportionskanons heraus abzuleiten. Als Entstehungszeitraum wird die Mitte bzw. zweite Hälfte des 15. Jahrhunderts angenommen. (de)
- The Missa prolationum is a musical setting of the Ordinary of the Mass by Johannes Ockeghem, dating from the second half of the 15th century. Based on freely written material probably composed by Ockeghem himself, and consisting entirely of mensuration canons, it has been called "perhaps the most extraordinary contrapuntal achievement of the fifteenth century", and was possibly the first multi-part work written with a unifying canonic principle for all its movements. (en)
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