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A Musikalisches Würfelspiel (German for "musical dice game") was a system for using dice to randomly generate music from precomposed options. These games were quite popular throughout Western Europe in the 18th century. Several different games were devised, some that did not require dice, but merely choosing a random number. In the early 20th century the Kaleidacousticon System, using arbitrarily combinable playing cards, was unsuccessfully marketed in the Boston area as a parlour game.

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  • Musikalisches Würfelspiel (de)
  • Musikalisches Würfelspiel (es)
  • Musikalisches Würfelspiel (fr)
  • Gioco di dadi musicale (it)
  • 음악의 주사위 놀이 (ko)
  • Musikalisches Würfelspiel (en)
  • Музыкальная игра в кости (ru)
rdfs:comment
  • Ein Musikalisches Würfelspiel ist ein System, um Musikkompositionen unter Zuhilfenahme eines Zufallsgenerators, in diesem Fall mittels Würfel, zu erstellen. (de)
  • El Musikalisches Würfelspiel (en alemán, ‘juego de dados musical’) fue un sistema por medio del cual se hacía uso de dos dados para generar música de forma aleatoria. Este tipo de juegos fueron muy populares en Europa Occidental en el siglo XVIII, ideándose distintos juegos de este tipo, incluso algunos que no requerían dado, y cuya mecánica consistía simplemente en escoger un número al azar. Otros ejemplos célebres fueron El compositor de polonesas y minuetos (primera edición de 1757; segunda edición revisada en 1783), de Johann Kirnberger, y la Broma filarmónica, de Joseph Haydn (1790). (es)
  • Le Musikalisches Würfelspiel (en allemand, ‘jeu de dés musical’) est un système par lequel on génère de la musique à partir de jets de dés. Ce type de jeu fut très populaire en Europe occidentale au XVIIe siècle. De nombreux jeux de ce genre furent publiés, y compris certains qui ne nécessitaient pas de dés, et où on choisissait simplement des chiffres au hasard. D'autres exemples célèbres furent Le Composeur de polonaises et menuets (1757), de Johann Kirnberger, et la Blague Philharmonique, de Joseph Haydn (1790). (fr)
  • Il gioco di dadi musicale (in tedesco Musikalisches Würfelspiel) è un sistema di composizione musicale basato sull'uso di dadi e di schemi predeterminati diffusi a stampa. Il gioco ebbe particolare diffusione nella seconda metà del XVIII secolo e furono pubblicati metodi per la composizione di varie forme musicali, come polacche, minuetti, valzer e trii. Alcuni metodi dello stesse genere non indicavano esplicitamente l'uso di dadi, ma richiedevano comunque l'utilizzo di numeri casuali. (it)
  • 《음악의 주사위 놀이》(Musikalisches Würfelspiel, K. 516f)는 볼프강 아마데우스 모차르트의 작품으로, 주사위를 던져서 곡을 만드는 체계이다. 16마디의 미뉴에트와 16마디의 로 되어 있는데, 악보는 표로 되어 있어서 각각의 마디를 연주하기 전에 주사위를 던져서 서로 다른 음형중 주사위 값에 해당하는 것을 선택하도록 되어 있다. 미뉴에트에는 마디마다 11가지 음형이 있고, 트리오에는 6가지가 있다. 따라서 16마디의 미뉴에트와 16마디의 트리오를 만들 수 있는 경우의 수는 1116×616 = 129,629,238,163,050,258,624,287,932,416가지이다. 무작위로 무엇을 연주할지 선택한다는 개념은 20세기 우연성 음악에 본격적으로 쓰이게 되었다. (ko)
  • «Музыкальная игра в кости» (нем. Musikalisches Würfelspiel или Würfelmusik) — системы сочинения музыкальных композиций с помощью игральных костей и других способов, использующих элемент случайности. Применялись в качестве развлечения, педагогического упражнения. Было разработано несколько различных комбинаторно-игровых способов для создания музыки с применением принципа случайности. Исследователи отмечают историческую преемственность между Musikalisches Würfelspiel и алеаторикой, возникшей в XX веке и являющейся одним из направлений авангардной музыки. (ru)
  • A Musikalisches Würfelspiel (German for "musical dice game") was a system for using dice to randomly generate music from precomposed options. These games were quite popular throughout Western Europe in the 18th century. Several different games were devised, some that did not require dice, but merely choosing a random number. In the early 20th century the Kaleidacousticon System, using arbitrarily combinable playing cards, was unsuccessfully marketed in the Boston area as a parlour game. (en)
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  • Ein Musikalisches Würfelspiel ist ein System, um Musikkompositionen unter Zuhilfenahme eines Zufallsgenerators, in diesem Fall mittels Würfel, zu erstellen. (de)
  • El Musikalisches Würfelspiel (en alemán, ‘juego de dados musical’) fue un sistema por medio del cual se hacía uso de dos dados para generar música de forma aleatoria. Este tipo de juegos fueron muy populares en Europa Occidental en el siglo XVIII, ideándose distintos juegos de este tipo, incluso algunos que no requerían dado, y cuya mecánica consistía simplemente en escoger un número al azar. Otros ejemplos célebres fueron El compositor de polonesas y minuetos (primera edición de 1757; segunda edición revisada en 1783), de Johann Kirnberger, y la Broma filarmónica, de Joseph Haydn (1790). (es)
  • A Musikalisches Würfelspiel (German for "musical dice game") was a system for using dice to randomly generate music from precomposed options. These games were quite popular throughout Western Europe in the 18th century. Several different games were devised, some that did not require dice, but merely choosing a random number. The earliest example is Johann Kirnberger's Der allezeit fertige Menuetten- und Polonaisencomponist (German for "The Ever-Ready Minuet and Polonaise Composer") (1757 [1st edition; revised 2nd 1783]). Examples by well known composers include C. P. E. Bach's Einfall, einen doppelten Contrapunct in der Octave von sechs Tacten zu machen, ohne die Regeln davon zu wissen (German for "A method for making six bars of double counterpoint at the octave without knowing the rules") (1758) and Maximilian Stadler's Table pour composer des minuets et des Trios à la infinie; avec deux dez à jouer (French for "A table for composing minuets and trios to infinity, by playing with two dice") (1780). In the early 20th century the Kaleidacousticon System, using arbitrarily combinable playing cards, was unsuccessfully marketed in the Boston area as a parlour game. (en)
  • Le Musikalisches Würfelspiel (en allemand, ‘jeu de dés musical’) est un système par lequel on génère de la musique à partir de jets de dés. Ce type de jeu fut très populaire en Europe occidentale au XVIIe siècle. De nombreux jeux de ce genre furent publiés, y compris certains qui ne nécessitaient pas de dés, et où on choisissait simplement des chiffres au hasard. D'autres exemples célèbres furent Le Composeur de polonaises et menuets (1757), de Johann Kirnberger, et la Blague Philharmonique, de Joseph Haydn (1790). (fr)
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