MxBx 1998/13,000 Miles at Light Velocity is the first live album by Melt-Banana. The album is not a conventional "live" album: it was not recorded at a concert, but live in the studio specially for John Zorn's Tzadik Records during the band's 1998 US tour. Many of the songs are being played in slightly different arrangements than the album versions. It is kind of a "best-of" release but with all the material re-recorded live in the studio. It also features their cover of The Beach Boys' "Surfin' U.S.A.". The photos and artwork were made by Ikue Mori.
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| - MxBx 1998/13,000 Miles At Light Velocity (fr)
- MxBx 1998/13,000 Miles at Light Velocity (en)
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| - MxBx 1998/13,000 Miles at Light Velocity is the first live album by Melt-Banana. The album is not a conventional "live" album: it was not recorded at a concert, but live in the studio specially for John Zorn's Tzadik Records during the band's 1998 US tour. Many of the songs are being played in slightly different arrangements than the album versions. It is kind of a "best-of" release but with all the material re-recorded live in the studio. It also features their cover of The Beach Boys' "Surfin' U.S.A.". The photos and artwork were made by Ikue Mori. (en)
- MxBx 1998/13,000 Miles at Light Velocity est un album live de Melt-Banana. Il ne s'agit pas d'un album live conventionnel, c'est-à-dire réalisé en concert, mais d'un album enregistré en direct dans un studio par John Zorn, le propriétaire de Tzadik Records, au cours de la tournée du groupe aux États-Unis en 1998. Les chansons se distinguent essentiellement des versions déjà présentes sur les autres albums par leur arrangement. On peut considérer le disque comme une sorte de Best of réinterprété. L'album inclut également une reprise de la célèbre Surfin' USA des Beach Boys. (fr)
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| - [{{AllMusic|class=album|id=r398107|pure_url=yes}} link] (en)
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| - MxBx 1998/13,000 Miles at Light Velocity est un album live de Melt-Banana. Il ne s'agit pas d'un album live conventionnel, c'est-à-dire réalisé en concert, mais d'un album enregistré en direct dans un studio par John Zorn, le propriétaire de Tzadik Records, au cours de la tournée du groupe aux États-Unis en 1998. Les chansons se distinguent essentiellement des versions déjà présentes sur les autres albums par leur arrangement. On peut considérer le disque comme une sorte de Best of réinterprété. L'album inclut également une reprise de la célèbre Surfin' USA des Beach Boys. L'album inclut un morceau caché, quelques secondes après la dernière chanson, Plot in a Pot, qui est en réalité un court instrumental improvisé avec une voix énonçant toutes les dates de la tournée du groupe. L'album débute de la même manière : avant la chanson Scratch Or Stitch, la même voix énonce : « Yea looks like we're ready to go, yep here they come… yep here we go! » Les photos et l'artwork de l'album sont l'œuvre de Ikue Mori. (fr)
- MxBx 1998/13,000 Miles at Light Velocity is the first live album by Melt-Banana. The album is not a conventional "live" album: it was not recorded at a concert, but live in the studio specially for John Zorn's Tzadik Records during the band's 1998 US tour. Many of the songs are being played in slightly different arrangements than the album versions. It is kind of a "best-of" release but with all the material re-recorded live in the studio. It also features their cover of The Beach Boys' "Surfin' U.S.A.". The album features an untitled hidden track just a few seconds after "Plot in a Pot". This is a noisy instrumental jam with Smelly Mustafa, their tour manager at the time, announcing all of Melt-Banana's tour dates. The album begins in a similar way: before "Scratch Or Stitch", their roadie, Todd Nugent, says: "Yea looks like we're ready to go, yep here they come... yep here we go!" This part was recorded in the hallways at the University of Pittsburgh because Nugent was leaving the tour to begin touring with Fantomas. The photos and artwork were made by Ikue Mori. (en)
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