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Ngozi Onwurah (born 1966) is a British-Nigerian film director, producer, model, and lecturer. She is best known as a filmmaker for her autobiographical film The Body Beautiful (1991) and her first feature film, Welcome II the Terrordome (1994). Her work is reflective of the unfiltered experiences of Black Diaspora in which she was raised.

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  • Ngozi Onwurah (fr)
  • Ngozi Onwurah (en)
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  • Ngozi Onwurah (born 1966) is a British-Nigerian film director, producer, model, and lecturer. She is best known as a filmmaker for her autobiographical film The Body Beautiful (1991) and her first feature film, Welcome II the Terrordome (1994). Her work is reflective of the unfiltered experiences of Black Diaspora in which she was raised. (en)
  • Ngozi Onwurah, née en 1966, est une réalisatrice, productrice, mannequin et conférencière britanno-nigériane. Elle est surtout connue en tant que cinéaste, notamment pour son film autobiographique The Body Beautiful diffusé en 1991 et son premier long métrage, Welcome II the Terrordome, diffusé en 1994. Son œuvre est souvent entre réalité et fiction et reflète le racisme enduré par la diaspora africaine. (fr)
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  • Ngozi Onwurah (en)
name
  • Ngozi Onwurah (en)
birth place
birth place
  • Nigeria, West Africa. (en)
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  • Film -St. Martin's School of Art, The National Film , The Television School (en)
occupation
  • Director, Producer, Model, Lecturer (en)
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  • Ngozi Onwurah (born 1966) is a British-Nigerian film director, producer, model, and lecturer. She is best known as a filmmaker for her autobiographical film The Body Beautiful (1991) and her first feature film, Welcome II the Terrordome (1994). Her work is reflective of the unfiltered experiences of Black Diaspora in which she was raised. (en)
  • Ngozi Onwurah, née en 1966, est une réalisatrice, productrice, mannequin et conférencière britanno-nigériane. Elle est surtout connue en tant que cinéaste, notamment pour son film autobiographique The Body Beautiful diffusé en 1991 et son premier long métrage, Welcome II the Terrordome, diffusé en 1994. Son œuvre est souvent entre réalité et fiction et reflète le racisme enduré par la diaspora africaine. (fr)
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