About: Nishikawa Sukenobu

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Nishikawa Sukenobu (西川祐信, 1671 – August 20, 1750), often called simply "Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin joro shinasadame (Appreciating 100 women), in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results.

Attributes	Values
rdf:type	Thing person yago:WikicatUkiyo-eArtists yago:WikicatPeopleFromKyoto yago:Artist109812338 yago:CausalAgent100007347 yago:Creator109614315 yago:LivingThing100004258 yago:Object100002684 yago:Organism100004475 yago:Painter110391653 yago:Person100007846 yago:PhysicalEntity100001930 yago:Printmaker110475687 yago:WikicatJapanesePainters yago:WikicatJapanesePrintmakers yago:YagoLegalActor yago:YagoLegalActorGeo yago:Whole100003553 yago:Wikicat17th-centuryJapanesePeople yago:Wikicat18th-centuryJapanesePeople yago:WikicatPeopleOfEdo-periodJapan
rdfs:label	Nishikawa Sukenobu (ca) Nishikawa Sukenobu (de) Nishikawa Sukenobu (es) Nishikawa Sukenobu (fr) Nishikawa Sukenobu (it) 西川祐信 (ja) Nishikawa Sukenobu (en) Nishikawa Sukenobu (pt) Нісікава Сукенобу (uk) 西川祐信 (zh)
rdfs:comment	Nishikawa Sukenobu (japonès: 西川祐信, Nishikawa Sukenobu 1671 – 1750), sovint anomenat simplement "Sukenobu", va ser un gravador japonès de Kyoto. Era inusual que un artista d'ukiyo-e fos de la capital imperial de Kyoto. Va fer gravats d'actors, però la seva notorietat li ve de les seves obres referents a dones. El seu Hyakunin joro shinasadame (100 dones que aprecien), publicat en dos volums el 1723, representava dones de totes les classes, des de l'emperadriu fins a prostitutes, i va rebre una resposta favorable. (ca) Nishikawa Sukenobu (japanisch 西川祐信; geboren 1671 in Kyōto; gestorben 20. August 1750 ebenda) war ein japanischer Ukiyoe-Künstler, hauptsächlich bekannt für seine illustrieren Bücher. (de) Nishikawa Sukenobu (西川祐信 Nishikawa Sukenobu?), o simplemente Sukenobu, (1671 – 20 de agosto de 1750), fue un pintor japonés de ukiyo-e procedente de Kioto. (es) Nishikawa Sukenobu (西川祐信, 1671 – August 20, 1750), often called simply "Sukenobu", was a Japanese printmaker from Kyoto. He was unusual for an ukiyo-e artist, as he was based in the imperial capital of Kyoto. He did prints of actors, but gained note for his works concerning women. His Hyakunin joro shinasadame (Appreciating 100 women), in two volumes published in 1723, depicted women of all classes, from the empress to prostitutes, and received favorable results. (en) Nishikawa Sukenobu (西川祐信?; Kyoto, 1671 – 1751) è stato un pittore e incisore giapponese di ukiyo-e e uno dei grandi interpreti dell'arte del bijin-ga. (it) 西川祐信（にしかわすけのぶ、寛文11年（1671年） - 寛延3年7月19日（1750年8月20日））とは、江戸時代前期から中期にかけての浮世絵師。江戸を中心とした1枚摺の作品で主に語られる浮世絵の歴史の中で、祐信は京都で活躍し、絵本を主に手がけたためやや等閑視されるきらいがある。しかし、当世風俗描写を主体としていたそれまでの浮世絵に、祐信は古典の知識を作中に引用してこれを当世風に表すなど、抑揚の効いた理知的な美を追求し、次代の浮世絵師たちに大きな影響を与えた。 (ja) Nishikawa Sukenobu (西川祐信 Nishikawa Sukenobu? 1671 – 1750), foi um gravurista de Quioto. Com um estilo pouco usual para o ukiyo-e, Sukenobu retratava atores e sobretudo mulheres. Sua publicação "Hyakunin joro shinasadame" (Apreciando Cem Mulheres), em dois volumes de 1723, catalogou seu trabalho característico pela escola temática de representação de figuras femininas de todas as classes, da imperatriz a cortesãs. Sukenobu também tornou-se notório pela criação de padrões para quimonos, retratos de guerreiros, ilustrações para literatura clássica e pinturas. (pt) Нісікава Сукенобу (*西川祐信, 1671 —20 серпня 1750) — японський художник в жанрі укійо-е періоду Едо. (uk) 西川祐信（日语：西川祐信／にしかわすけのぶ Nishikawa Sukenobu ?，1671年－1750年），是江戶前期至中期的浮世繪畫師，主要活躍於京都，創作繪本，並以風俗畫為主體，他參考引用古典的知識，並將其融入當時作品的表現，對江戶的浮世繪發展有相當程度的影響。此外，也替許多市民文學畫插畫，享保年間開始自稱「大和繪師西川祐信」，後期則有許多春畫作品。 (zh) Nishikawa Sukenobu (西川祐信, 1671-v. 1750, possiblement le 20 août), dont le nom d'artiste est Sukenobu, est un artiste japonais de l'estampe et de la peinture ukiyo-e. Il acquit sa célébrité, depuis Kyoto et Osaka, par l'excellence de sa peinture, mais aussi en raison de sa production très abondante et de très haute qualité dans le domaine du livre illustré, ehon. Il inaugure une nouvelle image de la femme aux traits plus doux que chez ses contemporains, vêtues de somptueux kimonos dont il a créé les motifs à la demande de teinturiers renommés. Son influence se manifeste chez plusieurs contemporains et dans les générations suivantes, dans les figures féminines de Suzuki Harunobu et jusqu'à Kitagawa Utamaro. (fr)
foaf:depiction
dcterms:subject	18th-century Japanese artists 17th-century Japanese artists Ukiyo-e artists Artists from Kyoto 1750 deaths 1671 births
Wikipage page ID	3825889 (xsd:integer)
Wikipage revision ID	1092452394 (xsd:integer)
Link from a Wikipage to another Wikipage	Carnegie Museum of Art Tosa Mitsusuke Ukiyo-e University of Michigan Museum of Art 18th-century Japanese artists Museum of Fine Arts, Boston 17th-century Japanese artists Musha-e Brooklyn Museum Ukiyo-e artists Artists from Kyoto Dallas Museum of Art Edo Oxford University Press Kanō school Suzuki Harunobu Harvard Art Museums 1750 deaths 1671 births Kanō Einō Kimono Suntory Museum of Art Philadelphia Museum of Art Indianapolis Museum of Art Kyoto Metropolitan Museum of Art Seattle Art Museum Kitao Shigemasa Tosa school
Link from a Wikipage to an external page	http://shunga.honolulumuseum.org/2012/index.php%3Fpage=26 http://shunga.honolulumuseum.org/2012/index.php%3Fpage=27 http://www.artnet.com/library/06/0625/T062580.asp http://www.oxfordartonline.com/subscriber/article/grove/art/T062580
sameAs	Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu Nishikawa Sukenobu

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