Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali concerning the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place:
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| - Ruidos. Ensayo sobre la economía política de la música (es)
- Noise: The Political Economy of Music (en)
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| - Ruidos. Ensayo sobre la economía política de la música es un libro de no-ficción escrito por el economista y académico francés, Jacques Attali, el cual fue publicado en su edición francesa en el año de 1977, con el nombre Bruits: essai sur l'economie politique de la musique, y por primera vez en español en 1995 bajo el sello de Siglo XXI editores. La versión inglesa, Noise: A Political Economy of Music, fue traducida por Brian Massumi y publicada en 1984. (es)
- Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali concerning the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place: (en)
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| - Noise: The Political Economy of Music (en)
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| - Noise: The Political Economy of Music (en)
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| - Presses Universitaires de France/University of Minnesota Press (US)
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| - First Edition 1977 by Presses Universitaires de France (en)
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| - Ruidos. Ensayo sobre la economía política de la música es un libro de no-ficción escrito por el economista y académico francés, Jacques Attali, el cual fue publicado en su edición francesa en el año de 1977, con el nombre Bruits: essai sur l'economie politique de la musique, y por primera vez en español en 1995 bajo el sello de Siglo XXI editores. La versión inglesa, Noise: A Political Economy of Music, fue traducida por Brian Massumi y publicada en 1984. (es)
- Noise: The Political Economy of Music is a book by French economist and scholar Jacques Attali concerning the role of music in the political economy. Attali's essential argument in Noise: The Political Economy of Music (French title: Bruits: essai sur l'economie politique de la musique) is that music, as a cultural form, is intimately tied up in the mode of production in any given society. For Marxist critics, this idea is nothing new. The novelty of Attali's work is that it reverses the traditional understandings about how revolutions in the mode of production take place: "[Attali] is the first to point out the other possible logical consequence of the “reciprocal interaction” model—namely, the possibility of a superstructure to anticipate historical developments, to foreshadow new social formations in a prophetic and annunciatory way. The argument of Noise is that music, unique among the arts for reasons that are themselves overdetermined, has precisely this annunciatory vocation; that the music of today stands both as a promise of a new, liberating mode of production, and as the menace of a dystopian possibility which is that mode of production’s baleful mirror image." (en)
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