"Nun liebe Seel, nun ist es Zeit", alternatively written "Nun, liebe Seel, nun ist es Zeit" (Now, dear soul, now it is time), is a Lutheran hymn for Epiphany, in five stanzas of six lines each, by Georg Weissel. It was first printed in 1642, set as a motet by Johannes Eccard. A version with an additional stanza is attributed to Johann Christoph Arnschwanger. Hymnals indicate "In dich hab ich gehoffet, Herr" as the singing tune for both the five-stanza and six-stanza versions of the hymn. With this melody Johann Sebastian Bach used its last stanza in Part V of his Christmas Oratorio.
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| - "Nun liebe Seel, nun ist es Zeit", alternatively written "Nun, liebe Seel, nun ist es Zeit" (Now, dear soul, now it is time), is a Lutheran hymn for Epiphany, in five stanzas of six lines each, by Georg Weissel. It was first printed in 1642, set as a motet by Johannes Eccard. A version with an additional stanza is attributed to Johann Christoph Arnschwanger. Hymnals indicate "In dich hab ich gehoffet, Herr" as the singing tune for both the five-stanza and six-stanza versions of the hymn. With this melody Johann Sebastian Bach used its last stanza in Part V of his Christmas Oratorio. (en)
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| - Performed by Jonathan Feucht on a Roland C-330 classic organ. (en)
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| - BWV 712 In dich hab ich gehoffet, Herr.webm (en)
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| - Zahn 2461c hymn tune (en)
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melody
| - (en)
- Sethus Calvisius (en)
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| - Motet by Johannes Eccard (en)
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| - Chorale prelude In dich hab ich gehoffet, Herr, BWV 712 (en)
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| - Now dear soul, now it is time (en)
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| - music (en)
- German Lutheran hymn (en)
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| - Nun liebe Seel, nun ist es Zeit (en)
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| - "Nun liebe Seel, nun ist es Zeit", alternatively written "Nun, liebe Seel, nun ist es Zeit" (Now, dear soul, now it is time), is a Lutheran hymn for Epiphany, in five stanzas of six lines each, by Georg Weissel. It was first printed in 1642, set as a motet by Johannes Eccard. A version with an additional stanza is attributed to Johann Christoph Arnschwanger. Hymnals indicate "In dich hab ich gehoffet, Herr" as the singing tune for both the five-stanza and six-stanza versions of the hymn. With this melody Johann Sebastian Bach used its last stanza in Part V of his Christmas Oratorio. (en)
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