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O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet. The text is adapted from the Latin Vulgate translation of Lamentations 1:12. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. Some of the most famous settings of the text are by: * Tomás Luis de Victoria (two settings for four voices: 1572 and 1585) * Carlo Gesualdo (five voices: 1603; six voices: 1611) * Pablo Casals (mixed choir: 1932)

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  • O vos omnes (en)
  • Canto da Verónica (pt)
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  • O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet. The text is adapted from the Latin Vulgate translation of Lamentations 1:12. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. Some of the most famous settings of the text are by: * Tomás Luis de Victoria (two settings for four voices: 1572 and 1585) * Carlo Gesualdo (five voices: 1603; six voices: 1611) * Pablo Casals (mixed choir: 1932) (en)
  • Canto de Verónica, ou Canto de Santa Verónica, é a designação dada a um ritual tradicionalmente levado a cabo durante as procissões dos passos da Semana Santa que consiste em uma jovem, que transporta um véu no qual está impressa uma representação da face de Jesus Cristo, subir a um banco ou suporte similar e entoar um responsório, geralmente em latim (mais recentemente em vernáculo), que é respondido pela congregação que participa na procissão. Ao mesmo tempo que entoa o canto, desenrola e exibe a estampa da face de Jesus. Terminado o canto, a procissão prossegue. (pt)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Gesualdo_-_Attendite_et_videte.png
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  • Recorded live in 2003 by The Tudor Consort'' (en)
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  • Tomas_Luis_de_Victoria_O_vos_omnes_.ogg (en)
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  • O vos omnes (en)
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  • O vos omnes is a responsory, originally sung as part of Roman Catholic liturgies for Holy Week, and now often sung as a motet. The text is adapted from the Latin Vulgate translation of Lamentations 1:12. It was often set, especially in the sixteenth century, as part of the Tenebrae Responsories for Holy Saturday. Some of the most famous settings of the text are by: * Tomás Luis de Victoria (two settings for four voices: 1572 and 1585) * Carlo Gesualdo (five voices: 1603; six voices: 1611) * Pablo Casals (mixed choir: 1932) (en)
  • Canto de Verónica, ou Canto de Santa Verónica, é a designação dada a um ritual tradicionalmente levado a cabo durante as procissões dos passos da Semana Santa que consiste em uma jovem, que transporta um véu no qual está impressa uma representação da face de Jesus Cristo, subir a um banco ou suporte similar e entoar um responsório, geralmente em latim (mais recentemente em vernáculo), que é respondido pela congregação que participa na procissão. Ao mesmo tempo que entoa o canto, desenrola e exibe a estampa da face de Jesus. Terminado o canto, a procissão prossegue. (pt)
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