About: Oh, Didn't He Ramble     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : dbo:Song, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)
QRcode icon
http://dbpedia.demo.openlinksw.com/describe/?url=http%3A%2F%2Fdbpedia.org%2Fresource%2FOh%2C_Didn%27t_He_Ramble&invfp=IFP_OFF&sas=SAME_AS_OFF

"Oh, Didn't He Ramble" is a New Orleans jazz standard, copyrighted in 1902 by J. Rosamond Johnson, James Weldon Johnson, and Bob Cole. It is frequently used at the end of jazz funerals. Several sources trace its origins to the English folk song "The Derby Ram" (Roud 126). In 1888, it was published as a work song from Texas, with the chorus "Didn't he ramble? Didn't he ramble? / Oh, he rambled till the butcher cut him down!". The chorus was then adapted by leading African American songwriters, the Johnson brothers and Cole, jointly credited as the songwriter "Will Handy" (but not associated with W. C. Handy), and published in 1902 as "Oh, Didn't He Ramble". It quickly became a standard in the repertoire of New Orleans jazz bands. In its originally copyrighted version, the song had seven ver

AttributesValues
rdf:type
rdfs:label
  • Oh, Didn't He Ramble (en)
rdfs:comment
  • "Oh, Didn't He Ramble" is a New Orleans jazz standard, copyrighted in 1902 by J. Rosamond Johnson, James Weldon Johnson, and Bob Cole. It is frequently used at the end of jazz funerals. Several sources trace its origins to the English folk song "The Derby Ram" (Roud 126). In 1888, it was published as a work song from Texas, with the chorus "Didn't he ramble? Didn't he ramble? / Oh, he rambled till the butcher cut him down!". The chorus was then adapted by leading African American songwriters, the Johnson brothers and Cole, jointly credited as the songwriter "Will Handy" (but not associated with W. C. Handy), and published in 1902 as "Oh, Didn't He Ramble". It quickly became a standard in the repertoire of New Orleans jazz bands. In its originally copyrighted version, the song had seven ver (en)
foaf:name
  • Oh, Didn't He Ramble (en)
name
  • Oh, Didn't He Ramble (en)
dcterms:subject
Wikipage page ID
Wikipage revision ID
Link from a Wikipage to another Wikipage
sameAs
dbp:wikiPageUsesTemplate
composer
genre
type
  • song (en)
written
has abstract
  • "Oh, Didn't He Ramble" is a New Orleans jazz standard, copyrighted in 1902 by J. Rosamond Johnson, James Weldon Johnson, and Bob Cole. It is frequently used at the end of jazz funerals. Several sources trace its origins to the English folk song "The Derby Ram" (Roud 126). In 1888, it was published as a work song from Texas, with the chorus "Didn't he ramble? Didn't he ramble? / Oh, he rambled till the butcher cut him down!". The chorus was then adapted by leading African American songwriters, the Johnson brothers and Cole, jointly credited as the songwriter "Will Handy" (but not associated with W. C. Handy), and published in 1902 as "Oh, Didn't He Ramble". It quickly became a standard in the repertoire of New Orleans jazz bands. In its originally copyrighted version, the song had seven verses, telling the story of Buster Beebe, whose adventures led him to a jail sentence and the loss of his money through gambling. However, the verses are now rarely performed. The tune is now traditionally played at the end of a New Orleans jazz funeral. "In contrast to the slower, sadder spirituals that are played on the way to a burial... it’s a joyous tune that suggests the deceased should have no regrets because he "rambled all around, in and out of town"". The words are usually set out as: "Oh! didn’t he ramble, ramble? / He rambled all around, in and out of town, / Oh, didn’t he ramble, ramble, / He rambled till the butchers cut him down." "Traditionally, at New Orleans jazz funerals, brass bands play slow, mournful hymns as the deceased’s body is carried out of the church and placed in a hearse or horse-drawn carriage. The band continues to play in this fashion until the procession reaches the cemetery. Once the priest or minister finishes performing his benediction and the congregation begins to leave the cemetery, the band strikes up a more up-beat selection of songs in celebration of the deceased’s life." The song was performed by George H. Primrose, and first recorded by Arthur Collins in 1902. Later recordings include those by Fiddlin' John Carson (1932), Jelly Roll Morton (1939), Kid Ory (1945), Louis Armstrong (1950), Peggy Lee (1955), the Preservation Hall Jazz Band (1988), and Dr. John (1992). (en)
prov:wasDerivedFrom
page length (characters) of wiki page
composer
genre
foaf:isPrimaryTopicOf
is Link from a Wikipage to another Wikipage of
is foaf:primaryTopic of
Faceted Search & Find service v1.17_git139 as of Feb 29 2024


Alternative Linked Data Documents: ODE     Content Formats:   [cxml] [csv]     RDF   [text] [turtle] [ld+json] [rdf+json] [rdf+xml]     ODATA   [atom+xml] [odata+json]     Microdata   [microdata+json] [html]    About   
This material is Open Knowledge   W3C Semantic Web Technology [RDF Data] Valid XHTML + RDFa
OpenLink Virtuoso version 08.03.3330 as of Mar 19 2024, on Linux (x86_64-generic-linux-glibc212), Single-Server Edition (378 GB total memory, 59 GB memory in use)
Data on this page belongs to its respective rights holders.
Virtuoso Faceted Browser Copyright © 2009-2024 OpenLink Software