• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: One Thousand Years of Trouble     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : dbo:Album, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albummusical workalbum New Facet based on Instances of this Class

One Thousand Years of Trouble is the debut full-length album, and second album overall, by English electronic rock band Age of Chance, released in 1987 by Virgin Records. After attracting the attention of Virgin with their industrial cover version of Prince's "Kiss", the band signed to the label and began working on the album with producer Howard Gray, whose Sequential Circuits Studio 440 drum machine enticed the band. Gray was given free hand by Virgin on the album, which was recorded at Trident Studios. The album showcases the band's unique "crush collision" sound, incorporating sampling, noisy power chords, hard percussion, house beats, and influences from post-punk and hip hop. Lead singer Steve Elvidge's lyrics display a Northern, bitter tone, incorporating sloganeering and commenting