The "oppositional gaze", first coined by feminist, scholar and social activist bell hooks in her 1992 essay collection Black Looks: Race and Representation, is a type of looking relation that involves the political rebellion and resistance against the repression of a black person's right to look. As hooks states, white slave-owners would punish their slaves regularly simply for looking at them. The oppositional gaze is a tool that black people use to disrupt the power dynamic that white cinema uses to perpetuate the Othering of blackness in media. The oppositional gaze works by creating a representation of blackness in media by developing independent black cinema. It works as black media by black creators for specifically black audiences. hooks' essay is a work of feminist film theory that
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