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About: Otto Hunte     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatProductionDesigners, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingfoaf:Personpersondul:NaturalPersonEukaryotePersonHumanAnimalanimaleukaryotespeciesschema:Personyago:WikicatPeopleFromHamburgyago:ArtDirector109811112yago:CausalAgent100007347yago:Director110015215yago:Expert109617867yago:InteriorDesigner110210648yago:Leader109623038yago:LivingThing100004258yago:Object100002684yago:Organism100004475yago:Person100007846yago:PhysicalEntity100001930yago:WikicatGermanArtDirectorsyago:WikicatGermanProductionDesignersyago:WikicatGermanSetDecoratorsyago:YagoLegalActoryago:YagoLegalActorGeoyago:Specialist110631941yago:StageDirector110645223yago:Superior110676018yago:Supervisor110676877yago:Whole100003553yago:WikicatEthnicGermanPeopleyago:WikicatProductionDesigners New Facet based on Instances of this Class

Otto Hunte (9 January 1881 – 28 December 1960) was a German production designer, art director and set decorator. Hunte is considered one of the most important artists in the history of early German cinema, mainly for his set designs on the early silent movies of Fritz Lang. His early career was defined by a working relationship with fellow designers Karl Vollbrecht and Erich Kettelhut. Hunte's architectural designs are found in many of the most important films of the period including Dr. Mabuse the Gambler, Die Nibelungen (1924), Metropolis (1927) and Der blaue Engel. Hunte subsequently worked as one of the leading set designers during the Nazi era. Post-Second World War he was employed by the East German studio DEFA.