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The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba (or cello), and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV (catalog of Telemann's works).

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  • Paris quartets (en)
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  • The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba (or cello), and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV (catalog of Telemann's works). (en)
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  • Sadie, Julie Anne. 1978–79. "Bowed Continuo Instruments in French Baroque Chamber Music". Proceedings of the Royal Musical Association 105:37–49. (en)
  • Zohn, Steven. 2008. Music for a Mixed Taste: Style, Genre, and Meaning in Telemann's Instrumental Works. Oxford and New York: Oxford University Press. . (en)
  • Bergmann, Walter. 1967. "Telemann in Paris". The Musical Times 108, no. 1498 : 1101–1103. (en)
  • Ruhnke, Martin . 1992. Georg Philipp Telemann: Thematisch- Systematisches Verzeichnis seiner Werke : Instrumentalwerke 2. Kassel: Bärenreiter. (en)
  • Oleskiewicz, Mary. 2003. "Quantz's 'Quatuors' and Other Works Newly Discovered". Early Music 31, no. 4 : 484–496, 498–504. (en)
  • Quantz, Johann Joachim. 2001. On Playing the Flute, corrected reissue of the second edition, translated with notes and an introduction by E. R. Riley. London: Faber and Faber; Boston: Northeastern University Press. . (en)
  • Telemann, Georg Philipp. 1740. "Telemann". In Grundlage einer Ehrenpforte, woran der tüchtigsten Capellmeister, Componisten, Musikgelehrten, Tonkünstler etc. Leben, Wercke, Verdienste etc. erscheinen sollen, edited by Johann Mattheson, 354–369. Hamburg: In Verlegung des Verfassers. New edition, with the original pagination, edited by Max Schneider. Berlin: Kommissionsverlag von Leo Liepmannssohn, Antiquariat, 1910. (en)
  • Zohn, Steven. 1997. "New Light on Quantz's Advocacy of Telemann's Music". Early Music 25, no. 3 : 441–450, 452–461. (en)
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  • Performed by New Comma Baroque: Peter Lekx , Leighann Daihl Ragusa , Phillip W. Serna , Emily Jane Katayama (en)
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  • Georg Philipp Telemann - Concerto No.2 in D-Major, TWV 43D1.ogg (en)
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  • Concerto No. 2 in D major, TWV 43:D1 (en)
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  • music (en)
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  • The Paris quartets is a collective designation for two sets of Chamber music compositions, each consisting of six works for flute, violin, viola da gamba (or cello), and continuo, by Georg Philipp Telemann, first published in 1730 and 1738, respectively. Telemann called his two collections Quadri and Nouveaux Quatuors. The collective designation "Paris quartets" was only first bestowed upon them in the second half of the twentieth century by the editors of the Telemann Musikalische Werke, because of their association with Telemann's celebrity visit to Paris in 1737–38. They bear the numbers 43:D1, 43:D3, 43:e1, 43:e4, 43:G1, 43:G4, 43:g1, 43:A1, 43:A3, 43:a2, 43:h1, 43:h2 in the TWV (catalog of Telemann's works). (en)
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