About: Passamezzo moderno

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The passamezzo moderno ("modern half step"; also quadran, quadrant, or quadro pavan), or Gregory Walker was "one of the most popular harmonic formulae in the Renaissance period, divid[ing] into two complementary strains thus:" For example, in C major the progression is as follows:

Attributes	Values
rdf:type	yago:WikicatChordProgressions yago:Abstraction100002137 yago:Arrangement107938773 yago:Group100031264 yago:Ordering108456993 yago:Progression108458912 yago:Series108457976
rdfs:label	パッサメッツォ (ja) Passamezzo moderno (en)
rdfs:comment	パッサメッツォ（イタリア語：passamezzo）とは、16世紀から17世紀前半に流行した、バッソ・オスティナート技法による一種の変奏曲。バス声部（通奏低音声部）が不変であるため、旋律や和音構成が変わっても、基礎的なが保たれている。バスの動きと和声法の微妙な差異によって、新旧の2種類に大別される。 (ja) The passamezzo moderno ("modern half step"; also quadran, quadrant, or quadro pavan), or Gregory Walker was "one of the most popular harmonic formulae in the Renaissance period, divid[ing] into two complementary strains thus:" For example, in C major the progression is as follows: (en)
foaf:depiction
dcterms:subject	Chord progressions
Wikipage page ID	1189123 (xsd:integer)
Wikipage revision ID	1087036731 (xsd:integer)
Link from a Wikipage to another Wikipage	Carole King Passamezzo David Holt (musician) Honky Tonk Women Pee Wee King Renaissance music Variation (music) Major mode Chord progressions Cotton Fields Gassenhauer Wreck of the Old 97 Free Bird George Cromarty The Rolling Stones Lynyrd Skynyrd Salon music Peter van der Merwe (musicologist) Walk Right In Jesse James (folk song) Alexander's Ragtime Band Niedersachsen Passamezzo moderno Hans Neusidler Thomas Morley Ground bass Richard Middleton (musicologist) Iron & Wine Irving Berlin Tennessee Waltz Chord progression The Titanic (song) Diego Ortiz Doc Watson C major Phrase (music) Plastic Jesus (song) Darling Nelly Gray Merle Watson Redd Stewart Woody Guthrie You've Got a Friend Fitzwilliam Virginal Book Twelve bar blues My Little Old Sod Shanty
Link from a Wikipage to an external page	http://www.cifrasfx.com.br/iron-e-wine/cifras/history-of-lovers/ http://www.chmtl.indiana.edu/tme/16th/MOR1597C_TEXT.html http://www.ingeb.org/ http://www.ingeb.org/songs/cominrou.html https://web.archive.org/web/20120301071928/http:/www.pgramblers.com/Jam%20Tunes/Jam%20Tunes%20-%20D%20to%20G/files/Free%20Little%20Bird.pdf http://www.traditionalmusic.co.uk/carter-family-songs/Gathering-flowers-from-the-hillside.htm
reference	0001-05-07 (xsd:gMonthDay) Morley, Thomas. 1597. A Plaine and Easie Introduction to Practicall Musicke. London: Peter Short. (en) Middleton, Richard. 1990. Studying Popular Music. Milton Keynes and Philadelphia: Open University Press. ; . Reprinted 2002. (en) Holt, David, Doc Watson, and Merle Watson. 2009. "Free Little Bird". Piney Grove Ramblers: Bluegrass for the People website (en) Helms, Anna, Otto Ilmbrecht, and Heinrich Dieckelmann . Die Tanzkette, Frankfurt am Main: Hoffmeister Verlag. (en) Iron e Wine [2005]. A History of Lovers CifrasFX website . (en) van der Merwe, Peter. 1989. Origins of the Popular Style: The Antecedents of Twentieth-Century Popular Music. Oxford: Clarendon Press. . (en)
sameAs	Passamezzo moderno Passamezzo moderno Passamezzo moderno Passamezzo moderno Passamezzo moderno
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thumbnail	wiki-commons:Special:FilePath/Gregory_Walker_root_progression.png?width=300
has abstract	The passamezzo moderno ("modern half step"; also quadran, quadrant, or quadro pavan), or Gregory Walker was "one of the most popular harmonic formulae in the Renaissance period, divid[ing] into two complementary strains thus:" For example, in C major the progression is as follows: The progression or ground bass, the major mode variation of the passamezzo antico, originated in Italian and French dance music during the first half of the 16th century, where it was often used with a contrasting progression or section known as ripresi. Though one of Thomas Morley's characters in Plaine and Easie Introduction to Practicall Musicke denigrates the Gregory Walker, comparing unskilled singing to its sound, it was popular in both pop/popular/folk and classical musics through 1700. Its popularity was revived in the mid 19th century, and the American variant (below) evolved into the twelve bar blues. (en) パッサメッツォ（イタリア語：passamezzo）とは、16世紀から17世紀前半に流行した、バッソ・オスティナート技法による一種の変奏曲。バス声部（通奏低音声部）が不変であるため、旋律や和音構成が変わっても、基礎的なが保たれている。バスの動きと和声法の微妙な差異によって、新旧の2種類に大別される。 (ja)

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