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Persian Film, also known as Filmfarsi (Persian: فیلم‌فارسی), is a term used in Pre-revolutionary Iranian cinema criticism that was coined by Iranian film critic . The term is used to describe low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing. Filmfarsi were suppressed after the Cultural Revolution by more strict laws on relations between men and women, as well as religious opposition to the content of the films. The suppression of the Filmfarsi genre encouraged the Iranian New Wave of modern films in Iranian cinema. Many of the Filmfarsi that survived the Iranian revolution did so thanks to the existence of illegal VHS copies.

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  • Filmfarsi (fr)
  • Persian Film (en)
  • Persian Film (pt)
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  • Filmfarsi (en Persan :فیلمفارسی) est un terme cinématographique utilisé dans la critique du cinéma iranien. Il a été créé par le critique de film iranien et décrit les films de basse qualité copiés essentiellement du cinéma Bollywood et avec des intrigues pauvres, souvent arrangées avec de la danse et du chant. La révolution islamique de 1979 marque la fin du genre, décrié comme immoral. L'incendie du cinéma Rex d'Abadan par les islamistes en 1978 est le symbole de la fin du filmfarsi, dont la production ne survivra que de manière clandestine, par le biais de copies sur cassettes VHS. (fr)
  • Persian Film, also known as Filmfarsi (Persian: فیلم‌فارسی), is a term used in Pre-revolutionary Iranian cinema criticism that was coined by Iranian film critic . The term is used to describe low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing. Filmfarsi were suppressed after the Cultural Revolution by more strict laws on relations between men and women, as well as religious opposition to the content of the films. The suppression of the Filmfarsi genre encouraged the Iranian New Wave of modern films in Iranian cinema. Many of the Filmfarsi that survived the Iranian revolution did so thanks to the existence of illegal VHS copies. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Beehive_(1975_film)_poster.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Dagger_movie_poster_1972.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Iran_mag_film_1970.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/King_of_Hearts_(1968_film).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Mashti_Mamdali's_Car.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Mehdi_in_Black_and_Hot_Mini_Pants_Movie_Poster.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Nikah_Halala_(1971_film).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Pretty_Foe_Movie_Poster_1962.jpeg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Reza_Motorcyclist.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/ShabajiKahoomPoster.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/The_Crookes_(1974_film).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Torkaman_Poster_Movie.jpeg
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  • Filmfarsi (en Persan :فیلمفارسی) est un terme cinématographique utilisé dans la critique du cinéma iranien. Il a été créé par le critique de film iranien et décrit les films de basse qualité copiés essentiellement du cinéma Bollywood et avec des intrigues pauvres, souvent arrangées avec de la danse et du chant. La révolution islamique de 1979 marque la fin du genre, décrié comme immoral. L'incendie du cinéma Rex d'Abadan par les islamistes en 1978 est le symbole de la fin du filmfarsi, dont la production ne survivra que de manière clandestine, par le biais de copies sur cassettes VHS. (fr)
  • Persian Film, also known as Filmfarsi (Persian: فیلم‌فارسی), is a term used in Pre-revolutionary Iranian cinema criticism that was coined by Iranian film critic . The term is used to describe low-quality films mostly copied from the Bollywood cinema and with poor plots, mostly arranged with dance and singing. Filmfarsi were suppressed after the Cultural Revolution by more strict laws on relations between men and women, as well as religious opposition to the content of the films. The suppression of the Filmfarsi genre encouraged the Iranian New Wave of modern films in Iranian cinema. Many of the Filmfarsi that survived the Iranian revolution did so thanks to the existence of illegal VHS copies. (en)
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