Philippe Pierre de St. Sevin, dit l′Abbé cadet (1698–1777) was a French cellist. Along with his older brother, Pierre Saint-Sevin, he was a music-master of the parish church of Agen in Aquitaine. It seems doubtful whether he was actually an ordained priest, or merely in consequence of his office had to wear the ecclesiastical dress, but from this situation he received the name l′Abbé cadet. Later, both he and his brother gave up their connection with the church and went to Paris, where they obtained engagements at the Grand Opera.
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| - Philippe Saint-Sevin (ca)
- Philippe Saint-Sevin (en)
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| - Philippe Saint-Sevin (1700 - 15 de maig de 1768) fou mestre de capella i violoncelista. Juntament amb el seu germà major, Pierre Saint-Sevin, va ser un mestre de música de l'església parroquial d'Agen a Aquitània. Sembla dubtós si realment era un sacerdot ordenat o simplement a causa del seu càrrec havia de portar el vestit eclesiàstic, però a partir d'aquesta situació va rebre el nom d'Abbé Cadet. Va ser el pare del violinista Joseph-Barnabé Saint-Sevin, dit Abbé le Fils. (ca)
- Philippe Pierre de St. Sevin, dit l′Abbé cadet (1698–1777) was a French cellist. Along with his older brother, Pierre Saint-Sevin, he was a music-master of the parish church of Agen in Aquitaine. It seems doubtful whether he was actually an ordained priest, or merely in consequence of his office had to wear the ecclesiastical dress, but from this situation he received the name l′Abbé cadet. Later, both he and his brother gave up their connection with the church and went to Paris, where they obtained engagements at the Grand Opera. (en)
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| - Philippe Saint-Sevin (1700 - 15 de maig de 1768) fou mestre de capella i violoncelista. Juntament amb el seu germà major, Pierre Saint-Sevin, va ser un mestre de música de l'església parroquial d'Agen a Aquitània. Sembla dubtós si realment era un sacerdot ordenat o simplement a causa del seu càrrec havia de portar el vestit eclesiàstic, però a partir d'aquesta situació va rebre el nom d'Abbé Cadet. Més tard, ell i el seu germà van renunciar a l'església i van anar a París, on van obtenir compromisos a la Gran Ópera (1727); aviat va ser nomenat primer violoncel·lista, càrrec que va ocupar fins a la seva jubilació el 1767. També va tocar a l'orquestra. del Concert Spirituel des dels anys 1740 fins al 1762, i també va ser membre de la musique de la chambre de la cort francesa des del 1753 aproximadament fins a la seva mort. Tant Philippe com Pierre eren excel·lents intèrprets, però Philippe sembla haver estat el més celebrat de tots dos, i ha estat especialment notable pel seu bonic to. Es diu que s'ha degut en gran manera a la impressió produïda per la seva interpretació que la viola da gamba va caure cada vegada més en desús i el violoncel es va introduir més àmpliament. Va ser el pare del violinista Joseph-Barnabé Saint-Sevin, dit Abbé le Fils. (ca)
- Philippe Pierre de St. Sevin, dit l′Abbé cadet (1698–1777) was a French cellist. Along with his older brother, Pierre Saint-Sevin, he was a music-master of the parish church of Agen in Aquitaine. It seems doubtful whether he was actually an ordained priest, or merely in consequence of his office had to wear the ecclesiastical dress, but from this situation he received the name l′Abbé cadet. Later, both he and his brother gave up their connection with the church and went to Paris, where they obtained engagements at the Grand Opera. Both Philippe and Pierre were excellent players, but Philippe seems to have been the more celebrated of the two, and to have been specially remarkable for his beautiful tone. It is said to have been owing in great measure to the impression produced by his playing that the viola da gamba more and more fell into disuse and the violoncello was more extensively introduced. He was the father of the violinist Joseph-Barnabé Saint-Sevin, dit L′Abbé le Fils. (en)
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