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Arnold Schoenberg's Piano Concerto, Op. 42 (1942) is one of his later works, written in America. It consists of four interconnected movements: Andante (bars 1–175), Molto allegro (bars 176–263), Adagio (bars 264–329), and Giocoso (bars 330–492). Around 20 minutes long, its first performance was given on February 6, 1944, at NBC Orchestra's Radio City Habitat in New York City by Leopold Stokowski and the NBC Symphony Orchestra with Eduard Steuermann at the piano. The first UK performance was on 7 September 1945 at the BBC Proms with Kyla Greenbaum (piano) conducted by Basil Cameron. The first German performance took place at the Darmstadt Summer School on 17 July 1948 with Peter Stadlen as the soloist.

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  • Concerto pour piano de Schönberg (fr)
  • ピアノ協奏曲 (シェーンベルク) (ja)
  • Piano Concerto (Schoenberg) (en)
rdfs:comment
  • Le Concerto opus 42 est le seul concerto pour piano et orchestre d'Arnold Schönberg. Composé entre août et décembre 1942 aux États-Unis et de style dodécaphonique, il fut créé le 6 février 1944 avec Eduard Steuermann au piano et l'orchestre de la NBC dirigé par Leopold Stokowski à la direction. L'œuvre est d'un seul mouvement divisé en quatre parties enchainées. Son exécution demande une vingtaine de minutes. (fr)
  • Arnold Schoenberg's Piano Concerto, Op. 42 (1942) is one of his later works, written in America. It consists of four interconnected movements: Andante (bars 1–175), Molto allegro (bars 176–263), Adagio (bars 264–329), and Giocoso (bars 330–492). Around 20 minutes long, its first performance was given on February 6, 1944, at NBC Orchestra's Radio City Habitat in New York City by Leopold Stokowski and the NBC Symphony Orchestra with Eduard Steuermann at the piano. The first UK performance was on 7 September 1945 at the BBC Proms with Kyla Greenbaum (piano) conducted by Basil Cameron. The first German performance took place at the Darmstadt Summer School on 17 July 1948 with Peter Stadlen as the soloist. (en)
  • ピアノ協奏曲作品42は、アルノルト・シェーンベルクがアメリカ時代に作曲したピアノ協奏曲。1942年に作曲され、同じくアメリカ時代の作品であるヴァイオリン協奏曲と同様に、厳格な十二音技法によって書かれている。 (ja)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Arnold_Schoenberg_-_Piano_Concerto,_tone_row_melody,_mm._1-8.png
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reference
  • 0001-07-17 (xsd:gMonthDay)
  • Aimard, Pierre-Laurent. 2010. , (en)
  • Alegant, Brian. 2001. "Cross-Partitions as Harmony and Voice Leading in Twelve-Tone Music". Music Theory Spectrum 23, no. 1 : 1–40. (en)
  • Anon. 1945. "Promenade Concert: A Schoenberg Novelty". The Times : 6. (en)
  • Woodstra, Chris, Gerald Brennan, and Allen Schrott . 2005. All Music Guide to Classical Music: The Definitive Guide to Classical Music. Hal Leonard. . (en)
  • Musgrave, Michael. 2001. A Brahms Reader. Yale. . (en)
  • Miller, Leta E., and Fredric Lieberman. 1998. Lou Harrison: Composing a World. Oxford and New York: Oxford University Press. . (en)
  • Anon. 2009. "Concerto for Piano and Orchestra op. 42". Arnold Schönberg Center . (en)
  • Alegant, Brian. 2002–2003. "Inside the Cadenza of Schoenberg's Piano Concerto". Intégral 16/17:67–102. (en)
  • Feisst, Sabine. 2011. Schoenberg's New World: The American Years. Oxford University Press USA. . (en)
  • Meyer, Donald C. 2012. "Toscanini and the NBC Symphony Orchestra". Perspectives on American Music, 1900–1950, edited by Michael Saffle. New York: Routledge. . (en)
  • Markus, Kenneth H. 2016 Schoenberg and Hollywood Modernism. Cambridge University Press. (en)
  • Steinberg, Michael. 1998. The Concerto: A Listener's Guide. Oxford and New York: Oxford University Press. . (en)
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