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About: Pierrot lunaire (book)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFrenchPoems, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: yago:WikicatCommediaDell'arteCharactersyago:WikicatCommediaDell'arteMaleCharactersyago:Ability105616246yago:Abstraction100002137yago:Cognition100023271yago:Communication100033020yago:Creativity105624700yago:FictionalCharacter109587565yago:ImaginaryBeing109483738yago:Imagination105625465yago:LiteraryComposition106364329yago:Poem106377442yago:PsychologicalFeature100023100yago:Writing106362953yago:WrittenCommunication106349220bookyago:WikicatFrenchPoems New Facet based on Instances of this Class

Pierrot lunaire: rondels bergamasques (Moonstruck Pierrot: bergamask rondels) is a cycle of fifty poems published in 1884 by the Belgian poet Albert Giraud (born Emile Albert Kayenbergh), who is usually associated with the Symbolist Movement. The protagonist of the cycle is Pierrot, the comic servant of the Italian Commedia dell'Arte and, later, of Parisian boulevard pantomime. The early 19th-century Romantics, Théophile Gautier most notably, had been drawn to the figure by his Chaplinesque pluckiness and pathos, and by the end of the century, especially in the hands of the Symbolists and Decadents, Pierrot had evolved into an alter-ego of the artist, particularly of the so-called poète maudit. He became the subject of numerous compositions, theatrical, literary, musical, and graphic.