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A piphat is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled sathukan (Thai: สาธุการ) as well as the suites called phleng rueang. It is also used to accompany traditional Thai theatrical and dance forms including khon (Thai: โขน) (masked dance-drama), lakhon (classical dance), and shadow puppet theater.

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  • Pi Phat (de)
  • Piphat (es)
  • Piphat (en)
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  • Pi Phat (Thai: ปี่พาทย์) ist das bekannteste Musik-Ensemble der klassischen thailändischen Musik, das sich vor allem aus Perkussionsinstrumenten zusammensetzt. Es wird zur Begleitung von höfischen und religiösen Zeremonien und Tänzen, Schattenspielen (Nang Yai) und Maskenschauspielen (Khon) eingesetzt. Ein thailändisches Pi-Phat-Ensemble besteht aus mindestens sechs Musikinstrumenten. Weitere klassische thailändische Ensembles sind Khruang sai und Mahori (dem kambodschanischen Mohori ähnlich). Im Mahori wird auf die Oboe verzichtet. (de)
  • Un piphat (en tailandés, ปี่พาทย์) es un tipo de conjunto de música clásica de Tailandia, compuesto de instrumentos musicales de viento y percusión. Es considerado el conjunto básico para la interpretación de las composiciones más sagradas y "refinadas" del repertorio clásico de Tailandia, incluida la invocación budista titulada sathukan (en tailandés, สาธุการ) como también las suites llamadas phleng rueang. También se utiliza para acompañar las formas tradicionales de danza y teatro tailandeses incluidos khon (en tailandés, โขน) (danza-drama con máscaras), (danza clásica), y teatro de figuras y sombras. (es)
  • A piphat is a kind of ensemble in the classical music of Thailand, which features wind and percussion instruments. It is considered the primary form of ensemble for the interpretation of the most sacred and "high-class" compositions of the Thai classical repertoire, including the Buddhist invocation entitled sathukan (Thai: สาธุการ) as well as the suites called phleng rueang. It is also used to accompany traditional Thai theatrical and dance forms including khon (Thai: โขน) (masked dance-drama), lakhon (classical dance), and shadow puppet theater. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Lorchestre_thaïlandais_piphat_mon_(musée_de_la_musique)_(3771128467).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Gong_and_Chime_Culture_Map.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Khrueang_Mahori_Piphat_(1930,_p._40).jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Khrueang_Mahori_Piphat_(1930,_p._41).jpg
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