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Post-contemporary (PoCo) is a forward-looking aesthetic philosophy distinguished by a re-constructive, global, human ethos which posits that the aesthetic experience is universal to humanity, and that this experience can inspire understanding and transformation. It has developed in tandem with new theories of Emergence in Complexity science, as well as advances in Biosemiotics. In art historical terms, “modern” and “contemporary” arts are limited to their era and are defined by stylistic and philosophical parameters - chief among them, a critique of the classical European tradition and constructive philosophy, and secondly, the Contemporary ethos is characterized by an emphasis on transient or exclusively contemporary issues which reflect the zeitgeist. Following the legacy of Modernism, P

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  • Post-contemporary (en)
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  • Post-contemporary (PoCo) is a forward-looking aesthetic philosophy distinguished by a re-constructive, global, human ethos which posits that the aesthetic experience is universal to humanity, and that this experience can inspire understanding and transformation. It has developed in tandem with new theories of Emergence in Complexity science, as well as advances in Biosemiotics. In art historical terms, “modern” and “contemporary” arts are limited to their era and are defined by stylistic and philosophical parameters - chief among them, a critique of the classical European tradition and constructive philosophy, and secondly, the Contemporary ethos is characterized by an emphasis on transient or exclusively contemporary issues which reflect the zeitgeist. Following the legacy of Modernism, P (en)
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  • Post-contemporary (PoCo) is a forward-looking aesthetic philosophy distinguished by a re-constructive, global, human ethos which posits that the aesthetic experience is universal to humanity, and that this experience can inspire understanding and transformation. It has developed in tandem with new theories of Emergence in Complexity science, as well as advances in Biosemiotics. In art historical terms, “modern” and “contemporary” arts are limited to their era and are defined by stylistic and philosophical parameters - chief among them, a critique of the classical European tradition and constructive philosophy, and secondly, the Contemporary ethos is characterized by an emphasis on transient or exclusively contemporary issues which reflect the zeitgeist. Following the legacy of Modernism, Post-Modernism and Contemporary art follow the tradition of Deconstruction and questioning, while Post Contemporary emphasizes generating new, constructive hypotheses. However, modeled after the Scientific Method, both modes are inter-dependent as the question|answer cannot exist without each other. Thus, Post-Contemporary views the history of the humanities as branching and pluralist, rather than a linear path of development. Consequently, PoCo has chosen a forking path, builds upon knowledge from all eras, and values quality, sublimity, and empathy above novelty. PoCo emphasizes empathy for all, regardless of race, gender, sexual orientation, or creed. Post-Contemporary as a concept was first described by Italian Poet Primo Levi. (See Philosophical Overview.) Though as of yet, the first documented use of the specific term was in 2005 by Abbas Gharib in a conversation with Bahram Shirdel, two architects of Iranian origins, both proficient in western culture and participant in the current debate on. The conversation was published by Sharestan Magazine, 55 . 2007. The discussion took this definition also to distinguish the third millennium epitomes of creative sectors, by their projection into coming avant-garde configurations, toward future. To day in its own progress, the Post-contemporary concepts, often known simply as Po-co is much better defined. (en)
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