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Kimono that carried designs depicting scenes from contemporary life became popular in Japan between 1900 and 1945, during Japan's involvement in WWII. Now referred to as (面白柄, lit. "interesting" or "novelty" designs), the decoration of many kimono produced during this time often depicted the military and political actions of Japan during its involvement in the war on the side of the Axis powers. In English, these kimono are commonly referred to as 'propaganda kimono'. Traditional items of clothing that were not kimono, such as nagajuban (underkimono), haori (jackets worn over kimono) and haura (the decorative inner linings of men's haori) also featured wartime omoshirogara, as did miyamari, the kimono worn by infants when taken to a Shinto shrine to be blessed. Omoshirogara garments were

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  • 戦争柄 (ja)
  • Propaganda kimono (en)
rdfs:comment
  • 戦争柄（せんそうがら）は、戦争の情景を図案化した着物の柄である。日清戦争期の1894年から第二次世界大戦期の1942年までの約50年間に日本で作られた。 様式は時期によって三種類に分けることができる。まず日清戦争期（1894-95年）は浮世絵の絵柄で、写真報道がまだなかったために空想的な図案が描かれた。次の日露戦争期（1904-05年）は写真報道の影響を受け、また絵葉書が流行っていたことから絵葉書風の図案や、パリ万博（1900年）の影響を受けアール・ヌーヴォー風の図案が作られた。大正期以降は童画が流行したことを背景に、兵士が頭の大きな子供の姿で描かれ、また戦車や高射砲などの兵器が非常に写実的に描かれるようになる。 戦争柄の着物は女物は少なく、ほとんどが男児と成人男性用のものであった。政府のプロパガンダなどではなく、庶民間での流行として広まっていたものと見られている。 (ja)
  • Kimono that carried designs depicting scenes from contemporary life became popular in Japan between 1900 and 1945, during Japan's involvement in WWII. Now referred to as (面白柄, lit. "interesting" or "novelty" designs), the decoration of many kimono produced during this time often depicted the military and political actions of Japan during its involvement in the war on the side of the Axis powers. In English, these kimono are commonly referred to as 'propaganda kimono'. Traditional items of clothing that were not kimono, such as nagajuban (underkimono), haori (jackets worn over kimono) and haura (the decorative inner linings of men's haori) also featured wartime omoshirogara, as did miyamari, the kimono worn by infants when taken to a Shinto shrine to be blessed. Omoshirogara garments were (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Boy's_silk_kimono,_made_in_Japan,_1940,_showing_troops_in_formation.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Japanese_Propaganda_Kimono_-_Axis,_Boy's_Kimono,_c._1940-41.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/MET_TR_128_1_2014.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Norakuro,_Boy’s_Kimono,_c.1933,_wool,_34h_x_32w_in.-2015-10-24_16.42.17.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/白地日露戦争講和図長襦袢-Man’s_Under-Kimono_(Nagajuban)_with_Scene_of_the_Russo-Japanese_War_featuring_General_Nogi_MET_DP277727.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/第二次エチオピア戦争図長襦袢-Man’s_Under-Kimono_(Nagajuban)_with_“Italy_in_Ethiopia”_Symbols_MET_DP330773.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/黒地絣戦闘機日の丸模様着物-Woman’s_Kimono_with_Planes_and_Hinomaru_Flags_MET_DP330772.jpg
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  • Kimono that carried designs depicting scenes from contemporary life became popular in Japan between 1900 and 1945, during Japan's involvement in WWII. Now referred to as (面白柄, lit. "interesting" or "novelty" designs), the decoration of many kimono produced during this time often depicted the military and political actions of Japan during its involvement in the war on the side of the Axis powers. In English, these kimono are commonly referred to as 'propaganda kimono'. Traditional items of clothing that were not kimono, such as nagajuban (underkimono), haori (jackets worn over kimono) and haura (the decorative inner linings of men's haori) also featured wartime omoshirogara, as did miyamari, the kimono worn by infants when taken to a Shinto shrine to be blessed. Omoshirogara garments were typically worn inside the home or at private parties, during which the host would show them off to small groups of family or friends, and were worn by men, women and children. (en)
  • 戦争柄（せんそうがら）は、戦争の情景を図案化した着物の柄である。日清戦争期の1894年から第二次世界大戦期の1942年までの約50年間に日本で作られた。 様式は時期によって三種類に分けることができる。まず日清戦争期（1894-95年）は浮世絵の絵柄で、写真報道がまだなかったために空想的な図案が描かれた。次の日露戦争期（1904-05年）は写真報道の影響を受け、また絵葉書が流行っていたことから絵葉書風の図案や、パリ万博（1900年）の影響を受けアール・ヌーヴォー風の図案が作られた。大正期以降は童画が流行したことを背景に、兵士が頭の大きな子供の姿で描かれ、また戦車や高射砲などの兵器が非常に写実的に描かれるようになる。 戦争柄の着物は女物は少なく、ほとんどが男児と成人男性用のものであった。政府のプロパガンダなどではなく、庶民間での流行として広まっていたものと見られている。 (ja)
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