Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (capitalism), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “.” In other words, where art was previously a way to represent "that which is" from "that which is not," capitalist society causes the "flattening out" of art into a commodity incorporated into society itself. As Marcuse put it in One-Dimensional Man, "The music of the soul is also the music of salesmanship."
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| - Repressive Entsublimierung (de)
- Repressive desublimation (en)
- 壓抑性去昇華 (zh)
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| - 壓抑性去昇華（英語：repressive desublimation）為德裔美國哲學家兼社會學家赫伯特·馬爾庫塞於其1964年出版的著作《單向度的人》中所提出的概念，意指資本主義發達工業社會中，技術理性的進步是如何消解了高等文化中的對立和超越因素。另而言之，儘管藝術在過去被用於表達「不現實的東西」同「現實的東西」的合理對立，資本主義社會將藝術貶值為商品，並將之整合至社會當中。就如同作者於書中指出：「靈魂的音樂也是推銷商品的音樂。」 馬爾庫塞認為，當膚淺、直接性的滿足取代了深層的、間接性的滿足，壓抑性去昇華成功削弱了人們批判社會的精力，並以自由的表象實現社會控制的目的。 (zh)
- Repressive Entsublimierung bezeichnet im engeren Sinne eine sexuelle Liberalisierung, die die bestehenden Herrschaftsstrukturen stützt. Der Psychoanalytiker Wilhelm Reich behauptete einen fundamentalen Zusammenhang zwischen autoritärer Triebunterdrückung und faschistischer Ideologie und sah die sexuelle Befreiung des Einzelnen als eine Voraussetzung für die gesellschaftliche Befreiung in der sozialistischen Revolution. (de)
- Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (capitalism), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “.” In other words, where art was previously a way to represent "that which is" from "that which is not," capitalist society causes the "flattening out" of art into a commodity incorporated into society itself. As Marcuse put it in One-Dimensional Man, "The music of the soul is also the music of salesmanship." (en)
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| - Repressive Entsublimierung bezeichnet im engeren Sinne eine sexuelle Liberalisierung, die die bestehenden Herrschaftsstrukturen stützt. Der Psychoanalytiker Wilhelm Reich behauptete einen fundamentalen Zusammenhang zwischen autoritärer Triebunterdrückung und faschistischer Ideologie und sah die sexuelle Befreiung des Einzelnen als eine Voraussetzung für die gesellschaftliche Befreiung in der sozialistischen Revolution. Herbert Marcuse bezieht den sexualpsychologischen Begriff Reichs in seinem Buch Der eindimensionale Mensch hingegen auch auf die Kultur der Industriegesellschaften. Diese sei durch eine repressive Toleranz ihrer Institutionen geprägt, lasse aber immer mehr Grenzüberschreitungen zu und mache Privates in skandalöser Form öffentlich. (de)
- Repressive desublimation is a term, first coined by Frankfurt School philosopher and sociologist Herbert Marcuse in his 1964 work One-Dimensional Man, that refers to the way in which, in advanced industrial society (capitalism), "the progress of technological rationality is liquidating the oppositional and transcending elements in the “.” In other words, where art was previously a way to represent "that which is" from "that which is not," capitalist society causes the "flattening out" of art into a commodity incorporated into society itself. As Marcuse put it in One-Dimensional Man, "The music of the soul is also the music of salesmanship." By offering instantaneous, rather than mediated, gratifications, repressive desublimation was considered by Marcuse to remove the energies otherwise available for a social critique; and thus to function as a conservative force under the guise of liberation. (en)
- 壓抑性去昇華（英語：repressive desublimation）為德裔美國哲學家兼社會學家赫伯特·馬爾庫塞於其1964年出版的著作《單向度的人》中所提出的概念，意指資本主義發達工業社會中，技術理性的進步是如何消解了高等文化中的對立和超越因素。另而言之，儘管藝術在過去被用於表達「不現實的東西」同「現實的東西」的合理對立，資本主義社會將藝術貶值為商品，並將之整合至社會當中。就如同作者於書中指出：「靈魂的音樂也是推銷商品的音樂。」 馬爾庫塞認為，當膚淺、直接性的滿足取代了深層的、間接性的滿足，壓抑性去昇華成功削弱了人們批判社會的精力，並以自由的表象實現社會控制的目的。 (zh)
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