Romolo ed Ersilia ("Romulus and Ersilia") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in Innsbruck in 1765 with music by Johann Adolf Hasse. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as opera seria. In Mysliveček's day
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| - Romulus a Ersilie (cs)
- Romolo ed Ersilia (Mysliveček) (de)
- Rómulo y Hersilia (Myslivecek) (es)
- Romolo ed Ersilia (en)
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| - Romulus a Ersilie (v italském originále Romolo ed Ersilia) je italská opera ve třech dějstvích českého skladatele Josefa Myslivečka složená na libreto italského básníka Pietra Metastasia, které bylo poprvé provedeno v roce 1765 na hudbu Johanna Adolfa Hasseho. Tato opera (a všechny ostatní Myslivečkovy opery) náleží k žánru vážné opery nazývanému v italštině opera seria. (cs)
- Rómulo y Hersilia (título original en italiano, Romolo ed Ersilia ) es una ópera en tres actos del compositor checo Josef Myslivecek (Praga, 1737 – Roma, 1781) con libreto en italiano de Pietro Metastasio, cuyo estreno, con motivo del cumpleaños de la reina María Carolina de Nápoles, tuvo lugar en el Teatro San Carlos de Nápoles, el 13 de agosto de 1773. (es)
- Romolo ed Ersilia ("Romulus and Ersilia") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in Innsbruck in 1765 with music by Johann Adolf Hasse. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as opera seria. In Mysliveček's day (en)
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| - Romulus a Ersilie (v italském originále Romolo ed Ersilia) je italská opera ve třech dějstvích českého skladatele Josefa Myslivečka složená na libreto italského básníka Pietra Metastasia, které bylo poprvé provedeno v roce 1765 na hudbu Johanna Adolfa Hasseho. Tato opera (a všechny ostatní Myslivečkovy opery) náleží k žánru vážné opery nazývanému v italštině opera seria. (cs)
- Rómulo y Hersilia (título original en italiano, Romolo ed Ersilia ) es una ópera en tres actos del compositor checo Josef Myslivecek (Praga, 1737 – Roma, 1781) con libreto en italiano de Pietro Metastasio, cuyo estreno, con motivo del cumpleaños de la reina María Carolina de Nápoles, tuvo lugar en el Teatro San Carlos de Nápoles, el 13 de agosto de 1773. (es)
- Romolo ed Ersilia ("Romulus and Ersilia") is an 18th-century Italian opera in 3 acts by the Czech composer Josef Mysliveček composed to a libretto by the Italian poet Metastasio first produced in Innsbruck in 1765 with music by Johann Adolf Hasse. The drama was one of Metastasio's last, shortest, and least popular. Mysliveček's setting of 1773 was the only other one known to have been produced during the remainder of the eighteenth century. It includes significant alterations, in particular the introduction of new arias that augment the importance of certain characters and the re-ordering of existing arias. The alterations are not attributable. This opera (and all the rest of Mysliveček's operas) belong to the serious type in Italian language referred to as opera seria. In Mysliveček's day, the opening aria, "Questa è la bella face," the duet that concludes the first act, and the quartet that concludes the second act were famed for their brilliance. (en)
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