Silvana (J. 87) is an opera by Carl Maria von Weber, first performed at the Nationaltheater Frankfurt on 16 September 1810. The libretto, by , is a reworking of an earlier, unsuccessful opera by Weber, Das Waldmädchen. Weber also reused music from the same piece in Silvana. It has been characterized as a somewhat unstable combination of emerging individualism with conventional techniques; however, the premiere was moderately successful, and the Berlin premiere was met with an enthusiastic reception. It is the earliest Weber opera to have survived in its complete form; older operatic works are either fragmentary or entirely lost.
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| - Silvana (Oper) (de)
- Silvana (ópera) (es)
- Silvana (opera) (en)
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| - Silvana ist eine romantische (auch heroisch-komische) Oper in drei Aufzügen von Carl Maria von Weber. Das Libretto stammt von Franz Carl Hiemer und basiert auf Webers Oper Das Waldmädchen. Die Uraufführung erfolgte am 16. September 1810 in Frankfurt am Main. Eine überarbeitete Fassung wurde am 10. Juli 1812 im Schauspielhaus Berlin aufgeführt. Weitere Verbreitung fand auch eine um 1885 vollständig umgearbeitete Fassung von Ferdinand Langer und Ernst Pasqué, die auch werkfremde Musik Webers verwendete. (de)
- Silvana es una ópera con música de Carl Maria von Weber y libreto en alemán de Franz Carl Hiemer, una reelaboración de una ópera anterior de Weber que no tuvo éxito, Das Waldmädchen. Weber también reutilizó música de la misma obra en Silvana. Se estrenó en Fráncfort el 16 de septiembre de 1810. Esta ópera no aparece en las estadísticas de Operabase representada en el período 2005-2010. (es)
- Silvana (J. 87) is an opera by Carl Maria von Weber, first performed at the Nationaltheater Frankfurt on 16 September 1810. The libretto, by , is a reworking of an earlier, unsuccessful opera by Weber, Das Waldmädchen. Weber also reused music from the same piece in Silvana. It has been characterized as a somewhat unstable combination of emerging individualism with conventional techniques; however, the premiere was moderately successful, and the Berlin premiere was met with an enthusiastic reception. It is the earliest Weber opera to have survived in its complete form; older operatic works are either fragmentary or entirely lost. (en)
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| - Playbill of the premiere (en)
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| - Silvana ist eine romantische (auch heroisch-komische) Oper in drei Aufzügen von Carl Maria von Weber. Das Libretto stammt von Franz Carl Hiemer und basiert auf Webers Oper Das Waldmädchen. Die Uraufführung erfolgte am 16. September 1810 in Frankfurt am Main. Eine überarbeitete Fassung wurde am 10. Juli 1812 im Schauspielhaus Berlin aufgeführt. Weitere Verbreitung fand auch eine um 1885 vollständig umgearbeitete Fassung von Ferdinand Langer und Ernst Pasqué, die auch werkfremde Musik Webers verwendete. (de)
- Silvana es una ópera con música de Carl Maria von Weber y libreto en alemán de Franz Carl Hiemer, una reelaboración de una ópera anterior de Weber que no tuvo éxito, Das Waldmädchen. Weber también reutilizó música de la misma obra en Silvana. Se estrenó en Fráncfort el 16 de septiembre de 1810. Weber usó una melodía de un aria descartada de la ópera para componer las populares Siete variaciones sobre un tema de Silvana para clarinete y piano. Usó la misma melodía para el tema-y-variaciones primer movimiento de su Sonata n.º 5 en la mayor (de las Seis sonatas progresivas para piano y violín obbligato, J 99-104). Esta ópera no aparece en las estadísticas de Operabase representada en el período 2005-2010. (es)
- Silvana (J. 87) is an opera by Carl Maria von Weber, first performed at the Nationaltheater Frankfurt on 16 September 1810. The libretto, by , is a reworking of an earlier, unsuccessful opera by Weber, Das Waldmädchen. Weber also reused music from the same piece in Silvana. It has been characterized as a somewhat unstable combination of emerging individualism with conventional techniques; however, the premiere was moderately successful, and the Berlin premiere was met with an enthusiastic reception. It is the earliest Weber opera to have survived in its complete form; older operatic works are either fragmentary or entirely lost. Weber used a melody from a discarded aria for the opera to compose the popular Seven Variations on a Theme from Silvana for clarinet and piano. He used the same melody for the theme-and-variations first movement of his Sonata No. 5 in A major (from the Six sonates progressives for piano and violin obbligato, J 99-104). (en)
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