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Stewart Henbest Capper (15 December 1859 – 8 January 1925) was a prominent architect in the Arts and Crafts style closely associated with Sir Patrick Geddes with much of his work sadly mislabelled as Geddes’. Due to ill-health he did not achieve much that he might have, and his contemporary Sydney Mitchell completed much of his most public works. His style cleverly mimics medieval and Renaissance details, and, as it sometimes includes either original or faked medieval date-stones, is regularly accepted as being several centuries older than its true age.

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  • Stewart Henbest Capper (en)
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  • Stewart Henbest Capper (15 December 1859 – 8 January 1925) was a prominent architect in the Arts and Crafts style closely associated with Sir Patrick Geddes with much of his work sadly mislabelled as Geddes’. Due to ill-health he did not achieve much that he might have, and his contemporary Sydney Mitchell completed much of his most public works. His style cleverly mimics medieval and Renaissance details, and, as it sometimes includes either original or faked medieval date-stones, is regularly accepted as being several centuries older than its true age. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Capper_block,_Lawnmarket,_Edinburgh.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Detail,_entrance_to_Wardop's_Court,_Lawnmarket,_Edinburgh.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Lady_Stair's_House_(the_Writers_Museum),_Lawnmarket,_Edinburgh.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Wrights_Buildings,_Bruntsfield.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Edinburgh_old_town_dsc06355.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Ramsay_Gardens,_Edinburgh.jpg
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  • Stewart Henbest Capper (15 December 1859 – 8 January 1925) was a prominent architect in the Arts and Crafts style closely associated with Sir Patrick Geddes with much of his work sadly mislabelled as Geddes’. Due to ill-health he did not achieve much that he might have, and his contemporary Sydney Mitchell completed much of his most public works. His style cleverly mimics medieval and Renaissance details, and, as it sometimes includes either original or faked medieval date-stones, is regularly accepted as being several centuries older than its true age. In later life he is remembered as Professor Capper due to his academic role at McGill University in Canada. This is often remembered more than for his work in Scotland, and much of his due fame has been laid on the shoulders of his clients and those who completed his works. (en)
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