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Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764. The work is scored for 2 oboes, bassoon, 2 horns, and strings with continuo. The symphony is in four movements: 1. * Allegro, 34 2. * Andante in C major, 24 3. * Menuetto e Trio (Trio in C major), 34 4. * Presto assai, 68 The slow movement is scored for strings only and contains numerous five-note thirty-second-note slides in the lower strings.

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  • 23. Sinfonie (Haydn) (de)
  • Sinfonía n.º 23 (Haydn) (es)
  • Symphonie no 23 de Joseph Haydn (fr)
  • Sinfonia n. 23 (Haydn) (it)
  • 交響曲第23番 (ハイドン) (ja)
  • Symfonie nr. 23 (Haydn) (nl)
  • Symphony No. 23 (Haydn) (en)
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  • Die Sinfonie G-Dur Hoboken-Verzeichnis I:23 komponierte Joseph Haydn im Jahr 1764 während seiner Anstellung als Vize-Kapellmeister beim Fürsten Nikolaus I. Esterházy. Menuett und Trio sind als Kanon komponiert. Der Schlusssatz hat ein ungewöhnliches Ende im Pianissimo. (de)
  • La Sinfonía n.º 23 en sol mayor, Hoboken I/23 es una sinfonía del compositor austríaco Joseph Haydn, compuesta en 1764.​ (es)
  • La Symphonie no 23 en sol majeur Hob. I:23 est une symphonie du compositeur autrichien Joseph Haydn, composée en 1764. (fr)
  • 交響曲第23番 ト長調 Hob. I:23 は、フランツ・ヨーゼフ・ハイドンが作曲した交響曲。 残された自筆原稿から1764年に作曲されたことがわかっている4つの交響曲(第21番から第24番)のうちの1曲だが、4曲中では楽器編成も楽章構成ももっとも普通であるにもかかわらず、メヌエットに出現するカノンや、終楽章のピアニッシモの終わり方など、いたるところにハイドンらしい工夫があふれている。 (ja)
  • De Symfonie nr. 23 is een symfonie van Joseph Haydn, geschreven in 1764. (nl)
  • Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764. The work is scored for 2 oboes, bassoon, 2 horns, and strings with continuo. The symphony is in four movements: 1. * Allegro, 34 2. * Andante in C major, 24 3. * Menuetto e Trio (Trio in C major), 34 4. * Presto assai, 68 The slow movement is scored for strings only and contains numerous five-note thirty-second-note slides in the lower strings. (en)
  • La Sinfonia n. 23 in Sol maggiore, Hoboken I/23, di Joseph Haydn fu composta nel 1764. Questo lavoro è stato composto per un'orchestra di 2 oboi, 2 corni, archi e basso continuo. La sinfonia è in quattro movimenti: 1. * Allegro, 3/4 2. * Andante, 2/4 3. * Minuetto e Trio, 3/4 4. * Presto assai, 6/8 (it)
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  • Die Sinfonie G-Dur Hoboken-Verzeichnis I:23 komponierte Joseph Haydn im Jahr 1764 während seiner Anstellung als Vize-Kapellmeister beim Fürsten Nikolaus I. Esterházy. Menuett und Trio sind als Kanon komponiert. Der Schlusssatz hat ein ungewöhnliches Ende im Pianissimo. (de)
  • La Sinfonía n.º 23 en sol mayor, Hoboken I/23 es una sinfonía del compositor austríaco Joseph Haydn, compuesta en 1764.​ (es)
  • La Symphonie no 23 en sol majeur Hob. I:23 est une symphonie du compositeur autrichien Joseph Haydn, composée en 1764. (fr)
  • Joseph Haydn wrote Symphony No. 23 in G major, Hoboken I/23, in 1764. The work is scored for 2 oboes, bassoon, 2 horns, and strings with continuo. The symphony is in four movements: 1. * Allegro, 34 2. * Andante in C major, 24 3. * Menuetto e Trio (Trio in C major), 34 4. * Presto assai, 68 The slow movement is scored for strings only and contains numerous five-note thirty-second-note slides in the lower strings. In the Minuet, Haydn writes the movement as a canon between the higher voices (violins and oboes) and lower voices (violas and cellos) at an interval of a single bar. Haydn had written such a canon in the minuet of his third symphony and similar canons would be later be written into G major minuets by Michael Haydn and Mozart. Haydn himself would later develop this technique into the "Canones in Diapason" of the minuet of his Trauer Symphony and the "Witches Minuet" of his D minor string quartet from Op. 76. The last movement is notable for fading away unexpectedly at the end, first pianissimo in the string along and then after a grand pause ending with a single pizzicato note. The second half is marked for repeat, but the conductor may choose "whether to omit the da capo in order not to risk the surprise ending being anticipated." H. C. Robbins Landon believes this may be "the first positive example of Haydn's famous sense of humour." (en)
  • 交響曲第23番 ト長調 Hob. I:23 は、フランツ・ヨーゼフ・ハイドンが作曲した交響曲。 残された自筆原稿から1764年に作曲されたことがわかっている4つの交響曲(第21番から第24番)のうちの1曲だが、4曲中では楽器編成も楽章構成ももっとも普通であるにもかかわらず、メヌエットに出現するカノンや、終楽章のピアニッシモの終わり方など、いたるところにハイドンらしい工夫があふれている。 (ja)
  • De Symfonie nr. 23 is een symfonie van Joseph Haydn, geschreven in 1764. (nl)
  • La Sinfonia n. 23 in Sol maggiore, Hoboken I/23, di Joseph Haydn fu composta nel 1764. Questo lavoro è stato composto per un'orchestra di 2 oboi, 2 corni, archi e basso continuo. La sinfonia è in quattro movimenti: 1. * Allegro, 3/4 2. * Andante, 2/4 3. * Minuetto e Trio, 3/4 4. * Presto assai, 6/8 Haydn ha scritto il Minuetto in una sorta di canone tra le voci più alte (violini ed oboi) e quelle più basse (viole e violoncelli) a distanza di una battuta. Haydn ha scritto un canone simile nel minuetto della sua terza sinfonia e altri verranno scritti in seguito in Sol maggiore da Michael Haydn e Mozart. Haydn stesso, in seguito, svilupperà questa tecnica nei "Canoni in Diapason" del minuetto della sua Trauer Symphony e nei "Witches Minuet" del suo quartetto per archi in Re minore, Op. 76. L'ultimo movimento è particolare nel modo in cui si dissolve inaspettatamente verso la fine, prima in pianissimo con gli archi per finire con un singolare pizzicato. La seconda metà, in teoria, dovrebbe essere ripetuta, ma il direttore d'orchestra può anche optare di "omettere il da capo per non correre il rischio di anticipare la sorpresa del finale". H. C. Robbins Landon pensa che questa sia "il primo esempio positivo del famoso senso dell'umorismo di Haydn". (it)
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