Michael Haydn's Symphony No. 37 in D major, Perger 29, Sherman 37, MH 476, written in Salzburg in 1788, is the last D major symphony he wrote, the fourth of his final set of six symphonies. The symphony is scored for 2 oboes (2nd alternating on flute in the second movement), 2 bassoons, 2 horns and strings and is in three movements: 1.
* Vivace 2.
* Andantino, in A major 3.
* Allegro assai
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| - 37. Sinfonie (Michael Haydn) (de)
- Symphonie no 37 de Michael Haydn (fr)
- Symphony No. 37 (Michael Haydn) (en)
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| - Die Sinfonie Nr. 37 D-Dur Perger 29, MH 476 komponierte Michael Haydn im Jahr 1788. (de)
- La Symphonie no 37 en ré majeur, P.29, Sherman 37, MH 476, est une symphonie de Michael Haydn, composée en 1788 à Salzbourg. (fr)
- Michael Haydn's Symphony No. 37 in D major, Perger 29, Sherman 37, MH 476, written in Salzburg in 1788, is the last D major symphony he wrote, the fourth of his final set of six symphonies. The symphony is scored for 2 oboes (2nd alternating on flute in the second movement), 2 bassoons, 2 horns and strings and is in three movements: 1.
* Vivace 2.
* Andantino, in A major 3.
* Allegro assai (en)
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| - Die Sinfonie Nr. 37 D-Dur Perger 29, MH 476 komponierte Michael Haydn im Jahr 1788. (de)
- La Symphonie no 37 en ré majeur, P.29, Sherman 37, MH 476, est une symphonie de Michael Haydn, composée en 1788 à Salzbourg. (fr)
- Michael Haydn's Symphony No. 37 in D major, Perger 29, Sherman 37, MH 476, written in Salzburg in 1788, is the last D major symphony he wrote, the fourth of his final set of six symphonies. The symphony is scored for 2 oboes (2nd alternating on flute in the second movement), 2 bassoons, 2 horns and strings and is in three movements: 1.
* Vivace 2.
* Andantino, in A major 3.
* Allegro assai The first movement is notable among Haydn's works for the use of tremolo notation as a shortcut for repeated semiquavers. The second movement, like the slow movements of other symphonies in the set, treats the woodwinds in an almost concertante fashion. The third movement is a lively rondo with a little development in minor keys of the A subject before the final restatement in D major. Though the bassoon is for the most part doubling the cellos, towards the end Haydn has them imitate the twirls of the first violins a bar after, lending a hint of wit redolent of Joseph Haydn's rondo finales. (en)
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