Tōchūken Kumoemon (桃中軒 雲右衛門) (October 25, 1873 – November 7, 1916)was a popular rōkyoku recitalist in Meiji Japan. His immense popularity helped rōkyoku break into the mainstream. At his height, he performed Chūshingura productions to sell-out crowds at some of the biggest theatres in Tokyo and Osaka. These performances also roused nationalist sentiment during Russo-Japanese War. Tōchūken's style of reciting left a lasting impression on rōkyoku, and indirectly also on enka, especially the music of Haruo Minami and Hideo Murata. Tōchūken was a contemporary of legendary musician-activist .
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| - Kumoemon Tōchūken (fr)
- 桃中軒雲右衛門 (ja)
- Tōchūken Kumoemon (en)
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| - 初代桃中軒 雲右衛門(とうちゅうけん くもえもん、1873年(明治6年)5月5日 - 1916年(大正5年)11月7日)は、明治時代から大正時代にかけての代表的浪曲師。亭号は沼津駅の駅弁屋であるに、名は修行時代に兄弟分であった力士の「天津風雲右衛門」に由来するとされる。浪曲界の大看板で「浪聖」と謳われた。 (ja)
- Kumoemon Tōchūken (桃中軒 雲右衛門, Tōchūken Kumoemon), 25 octobre 1873 - 7 novembre 1916, est un récitant du genre de chant narratif japonais rōkyoku de l'ère Meiji. Son immense popularité a permis la diffusion de ce genre musical traditionnel. Au sommet de son prestige, il interprétait les contes des 47 rōnin à guichets fermés dans certains des plus grands théâtres de Tokyo et Osaka. Ces représentations ont également attisé le sentiment nationalisme japonais durant la guerre russo-japonaise. Mikio Naruse lui a consacré un biopic en 1936. (fr)
- Tōchūken Kumoemon (桃中軒 雲右衛門) (October 25, 1873 – November 7, 1916)was a popular rōkyoku recitalist in Meiji Japan. His immense popularity helped rōkyoku break into the mainstream. At his height, he performed Chūshingura productions to sell-out crowds at some of the biggest theatres in Tokyo and Osaka. These performances also roused nationalist sentiment during Russo-Japanese War. Tōchūken's style of reciting left a lasting impression on rōkyoku, and indirectly also on enka, especially the music of Haruo Minami and Hideo Murata. Tōchūken was a contemporary of legendary musician-activist . (en)
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| - Kumoemon Tōchūken (桃中軒 雲右衛門, Tōchūken Kumoemon), 25 octobre 1873 - 7 novembre 1916, est un récitant du genre de chant narratif japonais rōkyoku de l'ère Meiji. Son immense popularité a permis la diffusion de ce genre musical traditionnel. Au sommet de son prestige, il interprétait les contes des 47 rōnin à guichets fermés dans certains des plus grands théâtres de Tokyo et Osaka. Ces représentations ont également attisé le sentiment nationalisme japonais durant la guerre russo-japonaise. Le style de Tōchūken a profondément influencé le rōkyoku et indirectement aussi l'enka, en particulier la musique de Haruo Minami et Hideo Murata. Mikio Naruse lui a consacré un biopic en 1936. (fr)
- 初代桃中軒 雲右衛門(とうちゅうけん くもえもん、1873年(明治6年)5月5日 - 1916年(大正5年)11月7日)は、明治時代から大正時代にかけての代表的浪曲師。亭号は沼津駅の駅弁屋であるに、名は修行時代に兄弟分であった力士の「天津風雲右衛門」に由来するとされる。浪曲界の大看板で「浪聖」と謳われた。 (ja)
- Tōchūken Kumoemon (桃中軒 雲右衛門) (October 25, 1873 – November 7, 1916)was a popular rōkyoku recitalist in Meiji Japan. His immense popularity helped rōkyoku break into the mainstream. At his height, he performed Chūshingura productions to sell-out crowds at some of the biggest theatres in Tokyo and Osaka. These performances also roused nationalist sentiment during Russo-Japanese War. Tōchūken's style of reciting left a lasting impression on rōkyoku, and indirectly also on enka, especially the music of Haruo Minami and Hideo Murata. Tōchūken was a contemporary of legendary musician-activist . Mikio Naruse made a biopic about him in 1936. (en)
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