About: Te Maori

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Te Maori (sometimes Te Māori in modern sources) was a watershed exhibition of Māori art in 1984 (later continued to 1985, 1986 and 1987). It is notable as the first occasion on which Māori art had been exhibited by Māori, and also the first occasion on which Māori art was shown internationally as art. In retrospect it is seen as a milestone in the Māori Renaissance. The project was driven by Secretary for Maori Affairs, Kara Puketapu, under the auspices of the Queen Elizabeth II Arts Council with funding from Mobil. Prominent Māori leader Hirini Moko Mead was co-curator of the exhibition.

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rdf:type	yago:WikicatArtExhibitions yago:WikicatArtExhibitionsInTheUnitedStates yago:Abstraction100002137 yago:ArtExhibition108407839 yago:Collection107951464 yago:Exhibition108407619 yago:Group100031264 convention
rdfs:label	Te Maori (en)
rdfs:comment	Te Maori (sometimes Te Māori in modern sources) was a watershed exhibition of Māori art in 1984 (later continued to 1985, 1986 and 1987). It is notable as the first occasion on which Māori art had been exhibited by Māori, and also the first occasion on which Māori art was shown internationally as art. In retrospect it is seen as a milestone in the Māori Renaissance. The project was driven by Secretary for Maori Affairs, Kara Puketapu, under the auspices of the Queen Elizabeth II Arts Council with funding from Mobil. Prominent Māori leader Hirini Moko Mead was co-curator of the exhibition. (en)
dcterms:subject	Art exhibitions in New Zealand Art exhibitions in the United States Metropolitan Museum of Art exhibitions 1980s in Chicago 1980s in Manhattan 1980s in St. Louis 1984 in New York City 1984 in New Zealand 1985 in Missouri 1985 in San Francisco 1986 in Illinois Indigenous art Māori art
Wikipage page ID	33286726 (xsd:integer)
Wikipage revision ID	1112927891 (xsd:integer)
Link from a Wikipage to another Wikipage	San Francisco Māori culture Art exhibitions in New Zealand Victoria and Albert Museum Tikanga Māori Art exhibitions in the United States Saint Louis Art Museum Christchurch Metropolitan Museum of Art exhibitions Ministry of Foreign Affairs and Trade (New Zealand) Mobil Māori language 1980s in Chicago 1980s in Manhattan 1980s in St. Louis 1984 in New York City 1984 in New Zealand 1985 in Missouri 1985 in San Francisco 1986 in Illinois Sidney Moko Mead Indigenous art Wellington Dunedin Kapa haka Karakia M. H. de Young Memorial Museum Field Museum Auckland Chicago Pitt Rivers Museum Metropolitan Museum of Art New York City Māori art Māori Renaissance Māori music Mokomokai Te Ara Queen Elizabeth II Arts Council Kara Puketapu Pākeha London Science Museum
Link from a Wikipage to an external page	https://teara.govt.nz/en/maori-and-museums-nga-whare-taonga/page-3 https://www.mfat.govt.nz/en/about-us/mfat75/te-maori/ https://www.metmuseum.org/art/metpublications/Nuku_Metropolitan_Museum_Journal_v_56_2021
sameAs	Te Maori Te Maori Te Maori Te Maori
dbp:wikiPageUsesTemplate	dbt:Metropolitan_Museum_of_Art dbt:Citation_needed dbt:Cite_book dbt:Cite_journal dbt:Italic_title dbt:Reflist dbt:Short_description dbt:Use_New_Zealand_English dbt:Use_dmy_dates
has abstract	Te Maori (sometimes Te Māori in modern sources) was a watershed exhibition of Māori art in 1984 (later continued to 1985, 1986 and 1987). It is notable as the first occasion on which Māori art had been exhibited by Māori, and also the first occasion on which Māori art was shown internationally as art. In retrospect it is seen as a milestone in the Māori Renaissance. In the colonial period, many Māori objects, including art, domestic objects and human remains (particularly Mokomokai) were widely collected by explorers, missionaries and scientists and were lost to the communities which had created them; largely they were lost to large European collection institutions such as the London Science Museum the Victoria and Albert Museum and the Pitt Rivers Museum at Oxford. This alienation meant that Māori regarded many Pākeha (Western) cultural institutions with considerable skepticism and overcoming this skepticism to allow objects to be borrowed for exhibition made Te Maori a milestone. The project was driven by Secretary for Maori Affairs, Kara Puketapu, under the auspices of the Queen Elizabeth II Arts Council with funding from Mobil. Prominent Māori leader Hirini Moko Mead was co-curator of the exhibition. The exhibition started at the Metropolitan Museum of Art (the Met) in New York on 10 September 1984. Part of the exhibition was carefully held practices and values guided by Māori tikanga. This included a dawn ceremony, traditional karakia, speeches in the Māori language, waiata and kapa haka. Mead described the effect at the prestigious institution of the Met, "It did much to make tikanga Māori more acceptable not only to the population at large of Aotearoa but, more importantly, among our own people." In the United States, Te Maori was also presented at Saint Louis Art Museum (February–May 1985), the M. H. de Young Memorial Museum in San Francisco (July–September 1985), and the Field Museum in Chicago (March–June 1986). Te Maori: Te Hokinga Mai, the New Zealand leg of the exhibition, toured Wellington, Christchurch, Dunedin, and finally ended in Auckland on 10 September 1987, three years to the day after opening at the Met. The exhibition was very well received, both at home and abroad. The impact of the exhibition is described by the late museum ethnologist Robert Neich: The effect of Te Māori has been so pervasive that its influence cannot be avoided. (Robert Neich 1985) (en)
gold:hypernym	Exhibition
prov:wasDerivedFrom	wikipedia-en:Te_Maori?oldid=1112927891&ns=0
page length (characters) of wiki page	7788 (xsd:nonNegativeInteger)
foaf:isPrimaryTopicOf	wikipedia-en:Te_Maori
is Link from a Wikipage to another Wikipage of	Russell Beck Sidney Moko Mead Hamish Keith Ihakara Puketapu Magda Wallscott Tungia Baker Diane Prince (artist) Māori renaissance Tama Huata Tamati Reedy Auckland Art Gallery Kōhine Pōnika

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