• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: The Breakdown     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : dbo:Artwork, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkworkwikidata:Q386724artwork New Facet based on Instances of this Class

The Breakdown was a 1926 painting by Scottish artist John Bulloch Souter (1890–1972) which stirred controversy in the United Kingdom during the Jazz Age. The work depicted a black jazz musician playing the saxophone while a naked white woman dances, as if in a trance. Amid outrage in the British press, the painting was withdrawn from the Royal Academy Summer Exhibition in 1926 after one week at the request of the British Colonial Office as the subject matter "was considered to be obnoxious to British subjects living abroad in daily contact with a coloured population".