The Jewish Cemetery (c. 1650s) is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Detroit Institute of Arts.
* Collection of M. Marin, . Paris, 1790. . 2000 fs. 80l.
* Anonymous, . . . . . . . . . . . . . 1802. . :3203 fs. 128l. A duplicate of the preceding picture, but differing in size, and inferior in quality, having become dark from time, is in the Dresden Gallery. 3 ft. by 3 ft. 5 in.—C."
*
* Philadelphia Museum of Art.
* Art Institute of Chicago.
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| - El cementerio judío, (Ruysdael, Detroit Institute of Arts) (es)
- Le Cimetière juif (fr)
- De Joodse begraafplaats (nl)
- The Jewish Cemetery (en)
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| - El cementerio judío es una obra del pintor paisajista holandés Jacob Ruysdael. Está realizada al óleo sobre lienzo. Fue pintada en la década de los años 1660. Mide 142,2 cm de alto y 189,2 cm de ancho. Se conserva en el Detroit Institute of Arts de Chicago (Míchigan) en los Estados Unidos. Se trata de un paisaje típico de Jacob Ruysdael, con elementos dramáticos como el cielo encapotado en el que se ve un arcoíris. El tema es el cementerio que los judíos de origen portugués tenían en las afueras de Ámsterdam en la cercana Ouderkerk aan de Amstel, llamado Beth Haim. (es)
- De joodse begraafplaats is een schilderij van Jacob Isaackszoon van Ruisdael. Van Ruisdael schilderde het rond 1650. Momenteel bevindt het zich in het Detroit Institute of Arts. (nl)
- The Jewish Cemetery (c. 1650s) is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Detroit Institute of Arts.
* Collection of M. Marin, . Paris, 1790. . 2000 fs. 80l.
* Anonymous, . . . . . . . . . . . . . 1802. . :3203 fs. 128l. A duplicate of the preceding picture, but differing in size, and inferior in quality, having become dark from time, is in the Dresden Gallery. 3 ft. by 3 ft. 5 in.—C."
*
* Philadelphia Museum of Art.
* Art Institute of Chicago. (en)
- Le Cimetière juif est une huile sur toile de Jacob van Ruisdael composée vers 1655 et conservée au Detroit Institute of Arts. Des historiens de l'art ont conclu d'après des dessins antérieurs de van Ruisdael que la scène est en fait une combinaison de deux endroits : une vue du cimetière Beth Haim d'Ouderkerk sur l'Amstel et les ruines de l'abbaye d'Egmond. D'après Seymour Slive, cette peinture est une allégorie sur la fragilité de la vie. (fr)
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| - Jacob Isaaksz. van Ruisdael 009b.jpg (en)
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| - El cementerio judío es una obra del pintor paisajista holandés Jacob Ruysdael. Está realizada al óleo sobre lienzo. Fue pintada en la década de los años 1660. Mide 142,2 cm de alto y 189,2 cm de ancho. Se conserva en el Detroit Institute of Arts de Chicago (Míchigan) en los Estados Unidos. Se trata de un paisaje típico de Jacob Ruysdael, con elementos dramáticos como el cielo encapotado en el que se ve un arcoíris. El tema es el cementerio que los judíos de origen portugués tenían en las afueras de Ámsterdam en la cercana Ouderkerk aan de Amstel, llamado Beth Haim. (es)
- Le Cimetière juif est une huile sur toile de Jacob van Ruisdael composée vers 1655 et conservée au Detroit Institute of Arts. Des historiens de l'art ont conclu d'après des dessins antérieurs de van Ruisdael que la scène est en fait une combinaison de deux endroits : une vue du cimetière Beth Haim d'Ouderkerk sur l'Amstel et les ruines de l'abbaye d'Egmond. D'après Seymour Slive, cette peinture est une allégorie sur la fragilité de la vie. Une peinture semblable, mais aux dimensions inférieures et dont les teintes se sont obscurcies avec le temps, est conservée à la Gemäldegalerie Alte Meister de Dresde. (fr)
- The Jewish Cemetery (c. 1650s) is an oil on canvas painting by the Dutch landscape painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Detroit Institute of Arts. This painting was documented by John Smith in 1835, who wrote: "60. The Cemetery. This grand and affecting picture exhibits the ruins of a church and convent upon the summit of a hill, occupying the whole extent of the view in the second distance, the declivity of which presents a cemetery, interspersed with large stones. On the foreground are a broken tree lying across a rapid stream, a tomb of black marble, with an inscription on it; a row of three sarcophagi extending along the front; and on the left stands a cluster of large umbrageous trees, the verdant hues of whose foliage is contrasted by the leafless trunk of a beech. Three persons in black are seen near a small tomb on the side of the hill, musing amidst the tombs. The grandeur and solemnity of the scene is strikingly enhanced by rolling stormy clouds, in which may be perceived the evanescent colours of a rainbow. 4 ft. 6 in. by 5 ft. 9 in.—C. In this excellent picture, the artist has evidently intended to convey a moral lesson of human life; and in addition to this, there is a sublimity of sentiment and effect reigning throughout the composition which renders it worthy of the powers of Nicolo Poussin. The architecture Van Ruisdael depicts symbolize equal partners and drama as both the Portuguese-Jewish burial and the Christian Medieval church are in ruins together along with a dark-skied/rainbow setting.
* Collection of M. Marin, . Paris, 1790. . 2000 fs. 80l.
* Anonymous, . . . . . . . . . . . . . 1802. . :3203 fs. 128l. The Writer has been informed that this picture was purchased by Mr. Huybens (by whom it was imported into England), of a banker at Paris, about the year 1815, for the sum of 20,000 fs., 800l., and sold to Mr. George Gillows, of whose executors it was brought by Mr. Zachary, and was subsequently sold, in the sale of that gentleman's collection, by Mr. Phillips, in 1828, for 870 gs.; it is now in the possession of Mackintosh, Esq. A duplicate of the preceding picture, but differing in size, and inferior in quality, having become dark from time, is in the Dresden Gallery. 3 ft. by 3 ft. 5 in.—C." This scene is very similar to other paintings of ruins Ruisdael made in this period and these often served as inspiration for later painters of landscape.
* The painting referred to as a duplicate above (considered genuine by later experts) Gemäldegalerie Alte Meister.
* Philadelphia Museum of Art.
* Art Institute of Chicago. Later historians have traced earlier drawings by Ruisdael and concluded that the scene is actually a pastiche of two locations; a view of the Jewish cemetery 'Beth Haim' in Ouderkerk aan de Amstel with the ruins of Egmond Abbey (St. Adalbert's Abbey) in Egmond-Binnen. (en)
- De joodse begraafplaats is een schilderij van Jacob Isaackszoon van Ruisdael. Van Ruisdael schilderde het rond 1650. Momenteel bevindt het zich in het Detroit Institute of Arts. (nl)
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