• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: The King (Teenage Fanclub album)     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatTeenageFanclubAlbums, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MusicAlbumworkMusical workwikidata:Q386724Albumyago:WikicatCreationRecordsAlbumsmusical workyago:Album106591815yago:Artifact100021939yago:Instrumentality103575240yago:Medium106254669yago:Object100002684yago:PhysicalEntity100001930albumyago:Whole100003553yago:Wikicat1991Albumsyago:WikicatTeenageFanclubAlbums New Facet based on Instances of this Class

The King is the second album by Scottish alternative rock band Teenage Fanclub, deleted on its day of release in 1991. The album is often derided as a hastily assembled contractual obligation to US label Matador (allowing the group to sign to Geffen without penalty). In 2020, Matador co-owner Gerard Cosloy confirms that The King was pitched to the label as the second release, but passed, saying it felt more like a contractual obligation fufillment than a real album. However the group have denied this, claiming that the shambolic, spontaneous nature of the contents was a direct influence of producer Don Fleming, whose music was often improvised. "One night we all got completely wasted. ... and we said, "Let’s make a LP overnight. We’ll just improvise some songs and do some covers and cobble