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About: The New Janitor     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsProducedByMackSennett, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatAmericanComedyFilmsyago:WikicatAmericanShortFilmsyago:WikicatAmericanSilentFilmsyago:WikicatAmericanSilentShortFilmsyago:WikicatBlack-and-whiteFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatKeystoneStudiosFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1910sComedyFilmsyago:Wikicat1914Filmsyago:WikicatFilmsDirectedByCharlieChaplinyago:WikicatFilmsProducedByMackSennett New Facet based on Instances of this Class

The New Janitor was the 27th comedy from Keystone Studios to feature Charlie Chaplin. The film is arguably one of his best for the studio, and a precursor to a key Essanay Studios short, The Bank. The film also demonstrates the differences that Chaplin had with Keystone comedy in that it is a coherent whole in which the stock characters actually fill some emotional center. Chaplin brings a certain complexity to his janitor, unusual to the comedy factory of Mack Sennett. The film, which stars among Sennett's bit players Jess Dandy, Al St. John, John T. Dillon, and Helen Carruthers, is far more centered and clear in direction. Comedy mostly flows from the core of the story instead of being a by-product of it. After all this is a typical bank robbery storyline.