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The Palace at 4 a.m. (French: Le palais à quatre heures du matin) is a 1932 surrealist sculpture by Alberto Giacometti. It is in the collection of the Museum of Modern Art. Giacometti said the work relates to "a period of six months passed in the presence of a woman who, concentrating all life in herself, transported my every moment into a state of enchantment. We constructed a fantastical palace in the night—a very fragile palace of matches. At the least false movement a whole section would collapse. We always began it again."

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  • The Palace at 4 a.m. (en)
  • Le Palais à 4 heures du matin (fr)
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  • Le Palais à 4 heures du matin est une sculpture surréaliste réalisée en 1932 par Alberto Giacometti. Elle fait partie de la collection du Museum of Modern Art de New York. (fr)
  • The Palace at 4 a.m. (French: Le palais à quatre heures du matin) is a 1932 surrealist sculpture by Alberto Giacometti. It is in the collection of the Museum of Modern Art. Giacometti said the work relates to "a period of six months passed in the presence of a woman who, concentrating all life in herself, transported my every moment into a state of enchantment. We constructed a fantastical palace in the night—a very fragile palace of matches. At the least false movement a whole section would collapse. We always began it again." (en)
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  • The Palace at 4 a.m. (en)
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  • Museum of Modern Art (en)
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  • The Palace at 4 a.m. (en)
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  • Le Palais à 4 heures du matin est une sculpture surréaliste réalisée en 1932 par Alberto Giacometti. Elle fait partie de la collection du Museum of Modern Art de New York. (fr)
  • The Palace at 4 a.m. (French: Le palais à quatre heures du matin) is a 1932 surrealist sculpture by Alberto Giacometti. It is in the collection of the Museum of Modern Art. Giacometti said the work relates to "a period of six months passed in the presence of a woman who, concentrating all life in herself, transported my every moment into a state of enchantment. We constructed a fantastical palace in the night—a very fragile palace of matches. At the least false movement a whole section would collapse. We always began it again." (en)
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