• Facets (new session)
• Description
• Metadata
• Settings
  • Rule: ActivityStreamsMapasEquivalentb3sb3sifpdbprdf-labelfacetshttp://dbpedia.org/resource/inference/rules/dbpedia#http://dbpedia.org/resource/inference/rules/opencyc#http://dbpedia.org/resource/inference/rules/umbel#http://dbpedia.org/resource/inference/rules/yago#http://dbpedia.org/schema/property_rules#http://www.ontologyportal.org/inference/rules/SUMO#http://www.ontologyportal.org/inference/rules/WordNet#http://www.w3.org/2002/07/owl#ldpoplwebskos-transurn:det:rdf:labelvirtrdf-labelvirtrdf-urlNone
    
  • Inverse Functional Properties: Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects
  • "Same As": Disabled (fastest) Apply to subjects only Apply to objects only Apply to both subjects and objects (recommended) Apply to subjects, objects and predicates (not recommended on big datasets) Apply to predicates only (special use cases only)

About: The Phantom Lover     Goto   Sponge   NotDistinct   Permalink

An Entity of Type : yago:WikicatFilmsDirectedByRonnyYu, within Data Space : dbpedia.demo.openlinksw.com associated with source document(s)

Type: Thingschema:CreativeWorkschema:MovieworkFilmwikidata:Q386724yago:WikicatRomanticPeriodFilmsyago:Abstraction100002137yago:Artifact100021939yago:Creation103129123yago:Event100029378yago:Movie106613686yago:Object100002684yago:PhysicalEntity100001930yago:Product104007894yago:PsychologicalFeature100023100yago:WikicatHongKongFilmsyago:YagoPermanentlyLocatedEntitymovieyago:Show106619065yago:SocialEvent107288639yago:Whole100003553yago:Wikicat1995Filmsyago:WikicatFilmsBasedOnWorksByGastonLerouxyago:WikicatFilmsDirectedByRonnyYu New Facet based on Instances of this Class

The Phantom Lover (Chinese: 夜半歌聲) is a 1995 Hong Kong musical romance drama film starring Leslie Cheung and Jacklyn Wu. It was directed by Ronny Yu and is a remake of the 1937 film Song at Midnight. The film itself is a loose adaptation of the classic Romeo and Juliet romance where love between two passionate lovers were ultimately doomed when parental opposition was the major obstacle. The main theme of the film was, however, a strong adaptation of Gaston Leroux's 1910 novel The Phantom of the Opera.