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"The Real Thing" is a short story by Henry James, first syndicated by S. S. McClure in multiple American newspapers and then published in the British publication Black and White in April 1892 and the following year as the title story in the collection, The Real Thing and Other Stories published by Macmillan. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. For the illustrator who narrates the story, the genuine article proves all too useless for his commercial purposes. The story portrays the unfortunate victims of a society in which reality and representation are closely intertwined in ways that make art a difficult project to disentangle the two.

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  • الشيء الحقيقي ( قصة ) (ar)
  • La Chose authentique (fr)
  • The Real Thing (story) (en)
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  • La Chose authentique (The Real Thing) est une nouvelle d'Henry James, parue en avril 1892 dans le magazine britannique Black and White, et reprise l’année suivante dans le recueil The Real Thing, and Other Stories chez Macmillan, Londres. La Chose authentique est une nouvelle sur le double thème des apparences et de l'essence des choses. (fr)
  • "The Real Thing" is a short story by Henry James, first syndicated by S. S. McClure in multiple American newspapers and then published in the British publication Black and White in April 1892 and the following year as the title story in the collection, The Real Thing and Other Stories published by Macmillan. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. For the illustrator who narrates the story, the genuine article proves all too useless for his commercial purposes. The story portrays the unfortunate victims of a society in which reality and representation are closely intertwined in ways that make art a difficult project to disentangle the two. (en)
  • الشيء الحقيقي هي قصة قصيرة كتبها هنري جيمس تم نشرها لأول مرة بواسطة (سامويل سيدني ميكلور) في العديد من الصحف الأمريكية ثم نُشرت في المنشور البريطاني «الأبيض والأسود» في شهر أبريل عام 1892. وفي العام التالي باعتبارها قصة العنوان في المجموعة «الشيء الحقيقي وقصص أخرى» نشرته «ماكميلان». (ar)
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  • The Real Thing (en)
name
  • The Real Thing (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/RealThingHenryJames.jpg
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  • First book publication (en)
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  • Print (en)
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  • Black and White (en)
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  • The Real Thing (en)
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  • الشيء الحقيقي هي قصة قصيرة كتبها هنري جيمس تم نشرها لأول مرة بواسطة (سامويل سيدني ميكلور) في العديد من الصحف الأمريكية ثم نُشرت في المنشور البريطاني «الأبيض والأسود» في شهر أبريل عام 1892. وفي العام التالي باعتبارها قصة العنوان في المجموعة «الشيء الحقيقي وقصص أخرى» نشرته «ماكميلان». هذه القصة، التي تُقرأ غالبًا كمثل، تلعب مع ثنائية الواقع والوهم التي فتنت جيمس خاصة في المراحل اللاحقة من حياته المهنية، وبالنسبة للرسام الذي يروي القصة، فإن المقالة الأصلية تثبت عدم جدواها في أغراضه التجارية. تصور القصة الضحايا لمجتمع يتشابك فيه الواقع والتمثيل بشكل وثيق بطرق تجعل الفن مشروعًا صعبًا لينقسم إلى اثنان. (ar)
  • La Chose authentique (The Real Thing) est une nouvelle d'Henry James, parue en avril 1892 dans le magazine britannique Black and White, et reprise l’année suivante dans le recueil The Real Thing, and Other Stories chez Macmillan, Londres. La Chose authentique est une nouvelle sur le double thème des apparences et de l'essence des choses. (fr)
  • "The Real Thing" is a short story by Henry James, first syndicated by S. S. McClure in multiple American newspapers and then published in the British publication Black and White in April 1892 and the following year as the title story in the collection, The Real Thing and Other Stories published by Macmillan. This story, often read as a parable, plays with the reality-illusion dichotomy that fascinated James, especially in the later stages of his career. For the illustrator who narrates the story, the genuine article proves all too useless for his commercial purposes. The story portrays the unfortunate victims of a society in which reality and representation are closely intertwined in ways that make art a difficult project to disentangle the two. (en)
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