The Rose Elf is a one act chamber opera with music and libretto by David Hertzberg, based on the fairy tale The Elf of the Rose by Hans Christian Andersen. It premiered June 6, 2018, in the Catacombs of Green-Wood Cemetery in Brooklyn, New York City, in a production directed by R. B. Schlather and conducted by Teddy Poll. The opera's debut recording was released October 31, 2020, by Meyer Media LLC (MM20044).
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| - The Rose Elf (opera) (en)
- 玫瑰花精 (zh)
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| - The Rose Elf is a one act chamber opera with music and libretto by David Hertzberg, based on the fairy tale The Elf of the Rose by Hans Christian Andersen. It premiered June 6, 2018, in the Catacombs of Green-Wood Cemetery in Brooklyn, New York City, in a production directed by R. B. Schlather and conducted by Teddy Poll. The opera's debut recording was released October 31, 2020, by Meyer Media LLC (MM20044). (en)
- 《玫瑰花精》(英語:The Rose Elf ),或譯為《玫瑰花的精靈》,是丹麦著名童话作家安徒生所寫的一篇童话故事,发表于1839月。主要讲了一个棲息於玫瑰花裡的小精靈見證一對年輕戀人的愛情、女子的兄長迫害年輕戀人,為了替年輕戀人討回公道策劃復仇的故事。它於2018年6月6日在紐約市布魯克林的格林伍德公墓地下墓穴首映,由 RB Schlather 執導並由 Teddy Poll 執導。[1]歌劇的首張錄音由 Meyer Media LLC (MM20044) 於2020年10月31日發行。 在首映式中,《觀察家報》寫道,“幾乎是你想要的歌劇的一切。玫瑰花精震驚、困惑、不安,最終,被崇高。”首映後,WQXR將其命名為“半年歌劇盛事”,稱“赫茨伯格是一位精湛的劇作家……這標誌著一位主要作曲人物的到來。”歌劇新聞稱這部作品是“對歌劇經典的一個引人注目和受歡迎的補充”。隨後被評為“2018年紐約最難忘的音樂會”,並獲得歌劇院的“弗雷迪”最佳新歌劇獎。 (zh)
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| - The Rose Elf is a one act chamber opera with music and libretto by David Hertzberg, based on the fairy tale The Elf of the Rose by Hans Christian Andersen. It premiered June 6, 2018, in the Catacombs of Green-Wood Cemetery in Brooklyn, New York City, in a production directed by R. B. Schlather and conducted by Teddy Poll. The opera's debut recording was released October 31, 2020, by Meyer Media LLC (MM20044). (en)
- 《玫瑰花精》(英語:The Rose Elf ),或譯為《玫瑰花的精靈》,是丹麦著名童话作家安徒生所寫的一篇童话故事,发表于1839月。主要讲了一个棲息於玫瑰花裡的小精靈見證一對年輕戀人的愛情、女子的兄長迫害年輕戀人,為了替年輕戀人討回公道策劃復仇的故事。它於2018年6月6日在紐約市布魯克林的格林伍德公墓地下墓穴首映,由 RB Schlather 執導並由 Teddy Poll 執導。[1]歌劇的首張錄音由 Meyer Media LLC (MM20044) 於2020年10月31日發行。 在首映式中,《觀察家報》寫道,“幾乎是你想要的歌劇的一切。玫瑰花精震驚、困惑、不安,最終,被崇高。”首映後,WQXR將其命名為“半年歌劇盛事”,稱“赫茨伯格是一位精湛的劇作家……這標誌著一位主要作曲人物的到來。”歌劇新聞稱這部作品是“對歌劇經典的一個引人注目和受歡迎的補充”。隨後被評為“2018年紐約最難忘的音樂會”,並獲得歌劇院的“弗雷迪”最佳新歌劇獎。 (zh)
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