The Sandwich Man (Chinese: 兒子的大玩偶; pinyin: Erzi de da wan'ou) is a 1983 Taiwanese film jointly directed by Hou Hsiao-hsien, Wan Jen, and . The script by Wu Nien-jen is based on a story by Huang Chunming entitled "His Son's Big Doll" (or Puppet). Composed of three separate stories, the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States. It is regarded as a hallmark of Taiwanese New Cinema. The second vignette tells of two ambitious young men who discover too late that a product they are trying to sell is defective.
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| - Erzi de da wan'ou (ca)
- 샌드위치 맨 (1983년 영화) (ko)
- The Sandwich Man (1983 film) (en)
- 兒子的大玩偶 (電影) (zh)
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| - Erzi de da wanou (xinès simplificat: 兒子的大玩偶, pinyin: Érzi de dà wán'ǒu), comercialitzada com The Sandwich Man es una pel·lícula de drama de Taiwan del 1983 dirigida conjuntament per Hou Hsiao-hsien, , i . El guió de és basat en una història de titulada "La gran nina del seu fill". Composta per tres històries separades, la pel·lícula retrata vívidament Taiwan durant el període de la guerra freda quan el país va desenvolupar la seva economia amb l'ajuda dels Estats Units. Es considera un segell distintiu del . (ca)
- 《샌드위치 맨》(중국어: 兒子的大玩偶, The Sandwich Man)은 타이완에서 제작된 감독의 1983년 영화이다. 왕정 등이 제작에 참여하였다. 미국의 도움을 받아 국가의 경제 발전을 하고 있던 시기에 냉전 시기의 타이완을 사실적으로 그리고 있다. 타이완의 뉴시네마의 특징으로 간주된다. (ko)
- 《兒子的大玩偶》（英語：The Sandwich Man）為依據臺灣作家黃春明所撰寫的小說《兒子的大玩偶》、《》和《蘋果的滋味》為基礎，再進行改編的作品。上映前，雖已通過行政院新聞局審核，卻遭保守派的影評人士運用「」名義書寫黑函密告中國國民黨中央文化工作會，指稱本片貧窮落後及違章建築的畫面不妥當，恐有影響國際形象的疑慮；導致屬於黨營企業的中央電影公司在未經過導演萬仁同意下，打算逕自修剪《蘋果的滋味》部份片段。為此，萬仁透過《聯合報》記者楊士琪於報紙上披露後，隨即引發臺灣輿論界一陣譁然，紛紛批評中影的官僚作風，迫使中影放棄刪減影片內容。最終，影片逃脫過被刪剪的命運，一刀未剪通過上映，讓此片的創作理念得以保全，而此事件也經常被戲稱為「削蘋果事件」。 上映後，寫實傳達臺灣記憶的電影風格，擄獲大多數觀眾口碑，兼具票房收益。至今，本片也被普遍視為「臺灣新浪潮電影」的開端作品之一，佔有著舉足輕重的地位。（其中有幾段取景自台北市立大橋國民小學） (zh)
- The Sandwich Man (Chinese: 兒子的大玩偶; pinyin: Erzi de da wan'ou) is a 1983 Taiwanese film jointly directed by Hou Hsiao-hsien, Wan Jen, and . The script by Wu Nien-jen is based on a story by Huang Chunming entitled "His Son's Big Doll" (or Puppet). Composed of three separate stories, the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States. It is regarded as a hallmark of Taiwanese New Cinema. The second vignette tells of two ambitious young men who discover too late that a product they are trying to sell is defective. (en)
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| - Poster of The Sandwich Man (en)
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| - Erzi de da wanou (xinès simplificat: 兒子的大玩偶, pinyin: Érzi de dà wán'ǒu), comercialitzada com The Sandwich Man es una pel·lícula de drama de Taiwan del 1983 dirigida conjuntament per Hou Hsiao-hsien, , i . El guió de és basat en una història de titulada "La gran nina del seu fill". Composta per tres històries separades, la pel·lícula retrata vívidament Taiwan durant el període de la guerra freda quan el país va desenvolupar la seva economia amb l'ajuda dels Estats Units. Es considera un segell distintiu del . (ca)
- The Sandwich Man (Chinese: 兒子的大玩偶; pinyin: Erzi de da wan'ou) is a 1983 Taiwanese film jointly directed by Hou Hsiao-hsien, Wan Jen, and . The script by Wu Nien-jen is based on a story by Huang Chunming entitled "His Son's Big Doll" (or Puppet). Composed of three separate stories, the film vividly portrays Taiwan during the cold war period when the country developed its economy with help from the United States. It is regarded as a hallmark of Taiwanese New Cinema. The English title of the film is derived from the film's first vignette, directed by Hou Hsiao-hsien, which tells about a man who ekes out a living for his young family by carrying advertisement sandwich boards. The second vignette tells of two ambitious young men who discover too late that a product they are trying to sell is defective. The third vignette explores what happens when a poor laborer is struck by a high-ranking American official's automobile. (en)
- 《샌드위치 맨》(중국어: 兒子的大玩偶, The Sandwich Man)은 타이완에서 제작된 감독의 1983년 영화이다. 왕정 등이 제작에 참여하였다. 미국의 도움을 받아 국가의 경제 발전을 하고 있던 시기에 냉전 시기의 타이완을 사실적으로 그리고 있다. 타이완의 뉴시네마의 특징으로 간주된다. (ko)
- 《兒子的大玩偶》（英語：The Sandwich Man）為依據臺灣作家黃春明所撰寫的小說《兒子的大玩偶》、《》和《蘋果的滋味》為基礎，再進行改編的作品。上映前，雖已通過行政院新聞局審核，卻遭保守派的影評人士運用「」名義書寫黑函密告中國國民黨中央文化工作會，指稱本片貧窮落後及違章建築的畫面不妥當，恐有影響國際形象的疑慮；導致屬於黨營企業的中央電影公司在未經過導演萬仁同意下，打算逕自修剪《蘋果的滋味》部份片段。為此，萬仁透過《聯合報》記者楊士琪於報紙上披露後，隨即引發臺灣輿論界一陣譁然，紛紛批評中影的官僚作風，迫使中影放棄刪減影片內容。最終，影片逃脫過被刪剪的命運，一刀未剪通過上映，讓此片的創作理念得以保全，而此事件也經常被戲稱為「削蘋果事件」。 上映後，寫實傳達臺灣記憶的電影風格，擄獲大多數觀眾口碑，兼具票房收益。至今，本片也被普遍視為「臺灣新浪潮電影」的開端作品之一，佔有著舉足輕重的地位。（其中有幾段取景自台北市立大橋國民小學） (zh)
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