The Times That Are (French: Le règne du jour) is a Canadian documentary film, which was directed by Pierre Perrault and released in 1967. A sequel to his 1963 film Pour la suite du monde, the film follows Alexis Tremblay and his family on a trip to France to visit their ancestral roots in Normandy and Brittany. The film was a Canadian Film Award finalist for Best Feature Film at the 20th Canadian Film Awards in 1968, but did not win. It was followed by The River Schooners (Les voitures d'eau), the third and final film in Perrault's "Île-aux-Coudres Trilogy", in 1968.
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| - Le Règne du jour (fr)
- The Times That Are (en)
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| - Le règne du jour est un film québécois, en noir et blanc, de Pierre Perrault, réalisé en 1967. (fr)
- The Times That Are (French: Le règne du jour) is a Canadian documentary film, which was directed by Pierre Perrault and released in 1967. A sequel to his 1963 film Pour la suite du monde, the film follows Alexis Tremblay and his family on a trip to France to visit their ancestral roots in Normandy and Brittany. The film was a Canadian Film Award finalist for Best Feature Film at the 20th Canadian Film Awards in 1968, but did not win. It was followed by The River Schooners (Les voitures d'eau), the third and final film in Perrault's "Île-aux-Coudres Trilogy", in 1968. (en)
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| - Alexis Tremblay (en)
- Marie Tremblay (en)
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| - Le règne du jour est un film québécois, en noir et blanc, de Pierre Perrault, réalisé en 1967. (fr)
- The Times That Are (French: Le règne du jour) is a Canadian documentary film, which was directed by Pierre Perrault and released in 1967. A sequel to his 1963 film Pour la suite du monde, the film follows Alexis Tremblay and his family on a trip to France to visit their ancestral roots in Normandy and Brittany. The film was a Canadian Film Award finalist for Best Feature Film at the 20th Canadian Film Awards in 1968, but did not win. It was followed by The River Schooners (Les voitures d'eau), the third and final film in Perrault's "Île-aux-Coudres Trilogy", in 1968. It was later screened at the 1984 Festival of Festivals as part of Front & Centre, a special retrospective program of artistically and culturally significant films from throughout the history of Canadian cinema. (en)
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