The Wounded Cuirassier (French: Le Cuirassier blessé quittant le feu) is an oil painting of a single anonymous soldier descending a slope with his nervous horse by the French Romantic painter and lithographer Théodore Géricault (1791–1824). In this 1814 Salon entry, Géricault decided to turn away from scenes of heroism in favor of a subject that is on the losing side of the battle. On display in the aftermath of France's disastrous military campaign in Russia, this life-size painting captured the feeling of a nation in defeat. There are no visible wounds on the figure, and the title has sometimes been interpreted to refer to soldier's injured pride. The painting stood in stark contrast with Géricault's Charging Chasseur, as it didn't focus on glory or the spectacle of battle. Only his , wh
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| - Coracero herido (es)
- Cuirassier blessé quittant le feu (fr)
- Corazziere ferito che abbandona il campo di battaglia (it)
- The Wounded Cuirassier (en)
- Раненый кирасир, покидающий поле боя (ru)
- Sårad kyrassiär (sv)
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| - Corazero herido (también Coracero herido saliendo del fuego) es un cuadro del pintor Théodore Géricault, realizado en 1814, que se encuentra en el Museo del Louvre. Presentado en el Salón de París, no tuvo tan buena acogida como su primera obra, Oficial de cazadores a la carga. (es)
- Cuirassier blessé quittant le feu est un tableau de Théodore Géricault peint en 1814. Exposé pour le Salon de peinture et de sculpture de 1814, l'œuvre fut interprétée comme un symbole de la débâcle des armées napoléoniennes lors de la campagne de France. Deux études à l'huile sont connues pour ce tableau, l'une appartient au Brooklyn Museum, l'autre au musée du Louvre. Ce tableau fait suite à l'Officier de chasseurs à cheval de la garde impériale chargeant exposé au salon de 1812. (fr)
- Il Corazziere ferito che abbandona il campo di battaglia è un dipinto a olio su tela realizzato da Jean-Louis-Théodore Géricault, esposto Museo del Louvre di Parigi. (it)
- «Раненый кирасир, покидающий поле боя» — картина французского художника Теодора Жерико, созданная им в 1814 году. (ru)
- The Wounded Cuirassier (French: Le Cuirassier blessé quittant le feu) is an oil painting of a single anonymous soldier descending a slope with his nervous horse by the French Romantic painter and lithographer Théodore Géricault (1791–1824). In this 1814 Salon entry, Géricault decided to turn away from scenes of heroism in favor of a subject that is on the losing side of the battle. On display in the aftermath of France's disastrous military campaign in Russia, this life-size painting captured the feeling of a nation in defeat. There are no visible wounds on the figure, and the title has sometimes been interpreted to refer to soldier's injured pride. The painting stood in stark contrast with Géricault's Charging Chasseur, as it didn't focus on glory or the spectacle of battle. Only his , wh (en)
- Sårad kyrassiär (franska: Le Cuirassier blessé quittant le feu) är en oljemålning av den franske konstnären Théodore Géricault. Den målades 1814 och ingår i samlingarna på Louvren i Paris sedan 1851. Géricault målade även samma år en studie i mindre format (55 x 46 cm) som är utställd på Brooklyn Museum i New York. (sv)
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| - The Wounded Cuirassier (en)
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| - Théodore géricault, corazziere ferito che abbandona il fuoco, ante 1814, 01.jpg (en)
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| - Musée du Louvre in Paris and Brooklyn Museum in New York City (en)
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| - Corazero herido (también Coracero herido saliendo del fuego) es un cuadro del pintor Théodore Géricault, realizado en 1814, que se encuentra en el Museo del Louvre. Presentado en el Salón de París, no tuvo tan buena acogida como su primera obra, Oficial de cazadores a la carga. (es)
- Cuirassier blessé quittant le feu est un tableau de Théodore Géricault peint en 1814. Exposé pour le Salon de peinture et de sculpture de 1814, l'œuvre fut interprétée comme un symbole de la débâcle des armées napoléoniennes lors de la campagne de France. Deux études à l'huile sont connues pour ce tableau, l'une appartient au Brooklyn Museum, l'autre au musée du Louvre. Ce tableau fait suite à l'Officier de chasseurs à cheval de la garde impériale chargeant exposé au salon de 1812. (fr)
- Il Corazziere ferito che abbandona il campo di battaglia è un dipinto a olio su tela realizzato da Jean-Louis-Théodore Géricault, esposto Museo del Louvre di Parigi. (it)
- The Wounded Cuirassier (French: Le Cuirassier blessé quittant le feu) is an oil painting of a single anonymous soldier descending a slope with his nervous horse by the French Romantic painter and lithographer Théodore Géricault (1791–1824). In this 1814 Salon entry, Géricault decided to turn away from scenes of heroism in favor of a subject that is on the losing side of the battle. On display in the aftermath of France's disastrous military campaign in Russia, this life-size painting captured the feeling of a nation in defeat. There are no visible wounds on the figure, and the title has sometimes been interpreted to refer to soldier's injured pride. The painting stood in stark contrast with Géricault's Charging Chasseur, as it didn't focus on glory or the spectacle of battle. Only his , which is currently in a private collection, bears any resemblance in form or function to this painting. The final salon version of The Wounded Cuirassier is at the Musée du Louvre and the smaller, study version, is located at the Brooklyn Museum. (en)
- Sårad kyrassiär (franska: Le Cuirassier blessé quittant le feu) är en oljemålning av den franske konstnären Théodore Géricault. Den målades 1814 och ingår i samlingarna på Louvren i Paris sedan 1851. Géricault målade även samma år en studie i mindre format (55 x 46 cm) som är utställd på Brooklyn Museum i New York. Géricault var jämte Eugène Delacroix den franska högromantikens främste företrädare. Sårad kyrassiär följde upp Géricaults genombrott, Kavalleriofficeren, från 1812. Båda målningarna ställdes ut på salongen i Paris 1814 där de köptes av prins (sedermera kung) Ludvig Filip. Framfödda ur Napoleonkrigens händelser visar de triumf och nederlag utan idealisering. Kyrassiären, en ryttare i det franska kavalleriet, vänder sig om samtidigt som han kanar ner för en slänt. Bakom honom syns en grå ovädershimmel som förebådar det franska imperiets fall; Napoleon I hade bara månader innan målningens färdigställande tvingats bort från tronen. (sv)
- «Раненый кирасир, покидающий поле боя» — картина французского художника Теодора Жерико, созданная им в 1814 году. (ru)
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