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Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo. The son of a Paris silversmith Pierre Germain (none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in Rome, where he turned his hand towards goldsmith's work. Aside from the work for the French crown he had royal patrons in the queen of Spain, the king and queen of Naples, and the king of Portugal. Germain also did work as an architect, designing Saint-Louis-du-Louvre, a reconstruction of the collapsed Saint-Thomas-du-Louvre.

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  • توماس جيرمان (ar)
  • Thomas Germain (es)
  • Thomas Germain (fr)
  • Thomas Germain (en)
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  • توماس جيرمان (بالفرنسية: Thomas Germain)‏ هو صائغ ذهب وصائغ فضة ومهندس معماري فرنسي، ولد في 15 أغسطس 1673 في باريس في فرنسا، وتوفي في 14 أغسطس 1748 في ‏ في فرنسا. (ar)
  • Thomas Germain, né à Paris le 15 août 1673 et mort le 14 août 1748, est un orfèvre et architecte français. (fr)
  • Thomas Germain (París, Francia; 15 de agosto de 1673–ibídem, 14 de agosto de 1748) fue un platero del Rococó. Muchas de sus producciones fueron encargadas por la realeza, incluyendo numerosas representaciones de espadas ordenadas por y , capitán de los corsarios.​ Las soperas de Germain fueron espectaculares; el récord mundial del precio de una pieza de plata en una puja fue obra de Germain, estampada en 1733, que fue vendida a Sotheby's en noviembre de 1996 por US$10,287,500.​ Le sucedió en el taller su hijo François-Thomas Germain. (es)
  • Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo. The son of a Paris silversmith Pierre Germain (none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in Rome, where he turned his hand towards goldsmith's work. Aside from the work for the French crown he had royal patrons in the queen of Spain, the king and queen of Naples, and the king of Portugal. Germain also did work as an architect, designing Saint-Louis-du-Louvre, a reconstruction of the collapsed Saint-Thomas-du-Louvre. (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Thomas_Germain_and_Anne-Denise_Gauchelet_by_Nicolas_de_Largillierre_(1736).png
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  • توماس جيرمان (بالفرنسية: Thomas Germain)‏ هو صائغ ذهب وصائغ فضة ومهندس معماري فرنسي، ولد في 15 أغسطس 1673 في باريس في فرنسا، وتوفي في 14 أغسطس 1748 في ‏ في فرنسا. (ar)
  • Thomas Germain (París, Francia; 15 de agosto de 1673–ibídem, 14 de agosto de 1748) fue un platero del Rococó. Muchas de sus producciones fueron encargadas por la realeza, incluyendo numerosas representaciones de espadas ordenadas por y , capitán de los corsarios.​ Las soperas de Germain fueron espectaculares; el récord mundial del precio de una pieza de plata en una puja fue obra de Germain, estampada en 1733, que fue vendida a Sotheby's en noviembre de 1996 por US$10,287,500.​ Germain también trabajó como arquitecto, ya que diseñó , una reconstrucción de la Iglesia colapsada .​ De acuerdo con , el edificio ofrece una sola nave con un ritmo espacial sutil, con una alas cóncavas que recuerdan a la Basílica de la Santa Cruz de Jerusalén en Roma.​ Por su reconocimiento los canónigos le concedieron una capilla, un panteón y una tribuna en la Iglesia del Palacio del Louvre.​ Le sucedió en el taller su hijo François-Thomas Germain. (es)
  • Thomas Germain, né à Paris le 15 août 1673 et mort le 14 août 1748, est un orfèvre et architecte français. (fr)
  • Thomas Germain (1673–1748) was the pre-eminent Parisian silversmith of the Rococo. The son of a Paris silversmith Pierre Germain (none of whose work survives) he did not at first train in the family workshop, but began as a painter, spending the years 1687–1702 in Rome, where he turned his hand towards goldsmith's work. Once again in Paris he was received maître in 1720 and was appointed an orfèvre du Roi. Much of his output was to royal commissions, including a number of presentation swords given to the likes of Marshal Foch and Alain Porée, Captain of the Corsairs. His most spectacular surviving piece, a surtout de table on a hunting theme, with dogs and horns and putti, was begun in the years 1729–31 for the tax-farmer Samuel-Jacques Bernard but remained unsold at the time of Germain's death, when it was sold in 1757 to the duke of Aveiro, who took it to Portugal; it is conserved in the Museu Nacional de Arte Antiga, Lisbon. Germain's covered tureens were spectacular; the world's record auction price for a single piece of silver was achieved by a silver tureen by him, stamped for 1733, which was sold at Sotheby New York in November 1996 for US$10,287,500. He made a pair of tureens for Evelyn Pierrepont, 2nd Duke of Kingston-upon-Hull, to designs by Juste-Aurèle Meissonnier in 1735 that Henry Hawley has said "represents the apogee of the French rococo" (Hawley 1997). Aside from the work for the French crown he had royal patrons in the queen of Spain, the king and queen of Naples, and the king of Portugal. Germain also did work as an architect, designing Saint-Louis-du-Louvre, a reconstruction of the collapsed Saint-Thomas-du-Louvre. At his death, his atelier passed to his fourth son François-Thomas Germain (1726–91). Most of his work was destroyed during the financial crises that led to the French Revolution, when rococo objects lost their value; a great deal had also already been lost during the great Lisbon earthquake of 1755. (en)
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