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Transcendental Étude No. 3 in F major, "Paysage" (Scenery), is the third of twelve Transcendental Études by Franz Liszt. It is generally considered to be one of the less difficult studies. The piece suggests a peaceful country scene. It is said that Liszt got the idea of writing this étude while watching the scenery change during a train ride. The first section is played poco adagio with a sempre legato e placido indication at the start. There are gentle arpeggios and constant dynamic changes and syncopation, and the melody is often played in thirds or octaves.

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  • Estudio trascendental n.º 3 (es)
  • Transcendental Étude No. 3 (Liszt) (en)
  • Estudo Transcendental n.º 3 (pt)
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  • Transcendental Étude No. 3 in F major, "Paysage" (Scenery), is the third of twelve Transcendental Études by Franz Liszt. It is generally considered to be one of the less difficult studies. The piece suggests a peaceful country scene. It is said that Liszt got the idea of writing this étude while watching the scenery change during a train ride. The first section is played poco adagio with a sempre legato e placido indication at the start. There are gentle arpeggios and constant dynamic changes and syncopation, and the melody is often played in thirds or octaves. (en)
  • O Estudo Transcendental n.º 3 "Paysage" em Fá Maior é o terceiro dos Estudos Transcendentais de Franz Liszt. É geralmente considerado um dos Estudos mais expressivos e românticos desta obra. (pt)
  • El Estudio trascendental n.º 3, "Paysage" (Paisaje) en fa mayor es un estudio para piano solo, compuesto por el compositor romántico Franz Liszt. Es el tercero de los doce estudios que forman los Études d'exécution transcendante, compuestos en 1851 a partir de una revisión de 1837 de piezas anteriores. Por lo general, es considerado como uno de los más fáciles o "asequibles" de los doce Estudios trascendentales. Sin embargo, éstos son de gran dificultad, por lo que tampoco es una pieza que puedan permitirse todos los pianistas. (es)
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  • Transcendental Études (en)
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  • Transcendental_Etudes%2C_S.139_%28Liszt%2C_Franz%29 (en)
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  • El Estudio trascendental n.º 3, "Paysage" (Paisaje) en fa mayor es un estudio para piano solo, compuesto por el compositor romántico Franz Liszt. Es el tercero de los doce estudios que forman los Études d'exécution transcendante, compuestos en 1851 a partir de una revisión de 1837 de piezas anteriores. Por lo general, es considerado como uno de los más fáciles o "asequibles" de los doce Estudios trascendentales. Sin embargo, éstos son de gran dificultad, por lo que tampoco es una pieza que puedan permitirse todos los pianistas. El aire del estudio sugiere una tranquila escena campestre. La primera parte del estudio se toca con un tempo poco adagio. Además, desde el mismo principio se indica que debe interpretarse sempre legato e placido, es decir, siempre ligado y tranquilo. Durante toda la pieza hay constantes cambios dinámicos y síncopas y la melodía se toca a menudo en terceras y en octavas. (es)
  • Transcendental Étude No. 3 in F major, "Paysage" (Scenery), is the third of twelve Transcendental Études by Franz Liszt. It is generally considered to be one of the less difficult studies. The piece suggests a peaceful country scene. It is said that Liszt got the idea of writing this étude while watching the scenery change during a train ride. The first section is played poco adagio with a sempre legato e placido indication at the start. There are gentle arpeggios and constant dynamic changes and syncopation, and the melody is often played in thirds or octaves. (en)
  • O Estudo Transcendental n.º 3 "Paysage" em Fá Maior é o terceiro dos Estudos Transcendentais de Franz Liszt. É geralmente considerado um dos Estudos mais expressivos e românticos desta obra. (pt)
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