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Two Riders on the Beach (German: Zwei Reiter am Strand) is the title of two similar paintings by Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas. After World War II the painting was seized by Allied Monuments Men along with other works from Gurlitt's collection, and Gurlitt was investigated for his role in Nazi art looting by the Art Looting Investigation Unit.

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  • Zwei Reiter am Strand (de)
  • Deux cavaliers sur la plage (fr)
  • Zwei Reiter am Strand (pt)
  • Two Riders on the Beach (en)
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  • Zwei Reiter am Strand ist der Titel von zwei ähnlichen Gemälden Max Liebermanns aus dem Jahr 1901. (de)
  • Zwei Reiter am Strand (Dois cavaleiros na praia) é o título de duas (ou mais) pinturas de Max Liebermann de 1901. (pt)
  • Two Riders on the Beach (German: Zwei Reiter am Strand) is the title of two similar paintings by Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas. After World War II the painting was seized by Allied Monuments Men along with other works from Gurlitt's collection, and Gurlitt was investigated for his role in Nazi art looting by the Art Looting Investigation Unit. (en)
  • Deux cavaliers sur la plage est le titre de deux tableaux similaires de Max Liebermann réalisés en 1901. Un des deux tableaux a été saisi en 2012 par les autorités de Bavière car il faisait partie du « trésor de Munich ». Un autre tableau, presque identique et avec le même titre, avait été adjugé en 2009 chez Sotheby's pour 289 250 livres sterling (336 456 euros) à un collectionneur privé. Selon le catalogue de Sotheby's, ce tableau devrait porter le numéro 1901/14a dans le catalogue des œuvres de Max Liebermann. (fr)
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  • Two Riders on the Beach (en)
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  • http://commons.wikimedia.org/wiki/Special:FilePath/Max_Liebermann_-_Zwei_Reiter_am_Strand.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Liebermann,_Max_-_Zwei_Reiter_am_Strand_-_Gurlitt.jpg
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  • German (en)
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  • Zwei Reiter am Strand (en)
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  • Max_Liebermann_-_Zwei_Reiter_am_Strand.jpg (en)
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  • Gurlitt engineered the release of some of his sequestered artwork after he made a final statement under oath regarding the buying and sellng of art during the war. Of course, the fact that he declared that much of his collection had been verbrannt in the bombings of Hamburg and Dresden is now known to be utter fiction. Somehow he had made Edwin Rae, the chief of the Monument's, Fine Arts and Archives section in Munich, believe that four of his paintings in fact belonged to his cousin Brigitta. (en)
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  • Two Riders on the Beach (en)
  • Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures (en)
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  • Zwei Reiter am Strand ist der Titel von zwei ähnlichen Gemälden Max Liebermanns aus dem Jahr 1901. (de)
  • Deux cavaliers sur la plage est le titre de deux tableaux similaires de Max Liebermann réalisés en 1901. Un des deux tableaux a été saisi en 2012 par les autorités de Bavière car il faisait partie du « trésor de Munich ». Il avait en effet appartenu jusqu'en 1939 au collectionneur, et fabricant de sucre, juif allemand David Friedmann (1857(?)–1942) de Breslau.Le tableau figurait en 1945 dans la collection d'Hildebrand Gurlitt saisie par les alliés et entreposée au Central Collecting Point de Wiesbaden. Le tableau a été rendu à Gurlitt en 1950. Il a été ensuite été prêté par la famille Gurlitt en 1954 pour une rétrospective 1954 à la Kunsthalle de Brème et en 1960 pour des expositions à Berlin, Recklinghausen et Vienne; il était donc réputé faire publiquement partie de la collection Gurlitt. Le tableau était recherché depuis cinq ans par deux avocats berlinois missionnés par deux petits-neveux de Friedmann. Selon un article de l'hebdomadaire Der Spiegel, sa valeur était estimée à un million d'euros. Le marchand d'art suisse Laszlo von Vertes estimait le tableau à environ 150,000 euros. En août 2014, après des recherches de l'équipe du Schwabinger Kunstfund, il a été considéré ayant été avec une grande probabilité spolié par le Troisième Reich. Le tableau a été vendu en 2015 par les héritiers, pour une valeur de 2, 61 millions d'euros, soit plus du double de son estimation. Un autre tableau, presque identique et avec le même titre, avait été adjugé en 2009 chez Sotheby's pour 289 250 livres sterling (336 456 euros) à un collectionneur privé. Selon le catalogue de Sotheby's, ce tableau devrait porter le numéro 1901/14a dans le catalogue des œuvres de Max Liebermann. (fr)
  • Two Riders on the Beach (German: Zwei Reiter am Strand) is the title of two similar paintings by Max Liebermann. Both were painted in 1901 while Liebermann was on vacation in Scheveningen on the North Sea. The paintings are considered masterpieces of German impressionism, heavily influenced by the style of French impressionist painters Édouard Manet and Edgar Degas. One of the paintings in the 1930s belonged to the collection of Jewish factory owner and art collector David Friedmann in Wrocław, then Breslau, Silesia. It was seized by the Nazi authorities shortly after the anti-Jewish Kristallnacht pogrom in 1938 and in 1942, one of Hitler's official art dealers, Hildebrand Gurlitt, acquired Two Riders on the Beach from "Aryan" auctionneer Hans W. Lange. After World War II the painting was seized by Allied Monuments Men along with other works from Gurlitt's collection, and Gurlitt was investigated for his role in Nazi art looting by the Art Looting Investigation Unit. "Amazingly," Susan Ronald wrote in Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures, Gurlitt engineered the release of some of his sequestered artwork after he made a final statement under oath regarding the buying and sellng of art during the war. Of course, the fact that he declared that much of his collection had been verbrannt (burned) in the bombings of Hamburg and Dresden is now known to be utter fiction. Somehow he had made Edwin Rae, the chief of the Monument's, Fine Arts and Archives section in Munich, believe that four of his paintings in fact belonged to his cousin Brigitta. — Hitler's Art Thief: Hildebrand Gurlitt, the Nazis, and the Looting of Europe's Treasures In 2012, in an event that made headlines around the world, Hildebrand Gurlitt' son, Cornelius Gurlitt, was discovered to have a secret stash of paintings. The 2012 Munich artworks discovery led to the rediscovery of Two Riders on the Beach. The surviving family of David Friedman recognized the looted painting and demanded its return, which took place in 2015. "David Toren remembers staring at Max Liebermann’s Two Riders on a Beach as his great-uncle signed over his estate to a Nazi general. Now his family has it back." The painting was sold at Sotheby's in June 2015. The other painting was part of a private collection in New York City before it was sold at Sotheby's in 2009. The new owner was again a private collector. The paintings are very similar; one difference is that the one that was part of Friedmann's collection shows both forelegs of the second horse. (en)
  • Zwei Reiter am Strand (Dois cavaleiros na praia) é o título de duas (ou mais) pinturas de Max Liebermann de 1901. (pt)
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