The Variations on the name "Abegg" in F major is a piece (theme with variations) for piano by Robert Schumann, composed between 1829 and 1830 and published as his Opus 1. The name is believed to refer to Schumann's fictitious friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word "tema" (Latin). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as witnessed in Clara Schumann's edition of her husband's piano works.
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| - Abegg-Variationen (de)
- Variations sur le nom « Abegg » (fr)
- 아베크 변주곡 (ko)
- アベッグ変奏曲 (ja)
- Variations on the name "Abegg" (en)
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| - Die Abegg-Variationen (op. 1) sind ein Werk von Robert Schumann. Sie wurden zwischen 1829 und 1830 komponiert, und 1831 unter dem Namen „Thème sur le nom Abegg varié pour le pianoforte“ publiziert. Die Spieldauer beträgt insgesamt etwa acht Minuten. Das Stück ist durchgängig im 3/4-Takt geschrieben und in F-Dur komponiert, bis auf das Cantabile, das in der Varianttonart f-Moll steht. (de)
- Les Variations sur le nom « Abegg » en fa majeur pour piano ont été écrites entre 1829 et 1830 par Robert Schumann, et publiées comme son opus 1. (fr)
- アベッグ変奏曲（―へんそうきょく、Abegg-Variation ドイツ語: Abegg-Variationen）作品1は、ロベルト・シューマンが作曲したピアノ作品である。『アベッグの名に基づく変奏曲』(Variationen über den Namen Abegg) とも称される。 (ja)
- 《아베크 변주곡 바장조 작품번호 1》는 로베르트 슈만이 1830년에 작곡한 피아노 작품이다. 이름은 슈만의 상상 속 벗인 메타 아베크(독일어: Meta Abegg)를 지칭하는 것으로 여겨지며, 그의 성을 이루는 낱글자들은 슈만의 작곡한 이 작품의 동기 기반으로 쓰였다. 첫 번째 주제의 다섯 개 음표는 A(가), B♭ (B; 내림 나), E(마), G(사), G(사)이다. 이러한 음높이 이름을 문자로 쓰는 것은 그의 《카니발》 등 다른 작품에서도 나타난다. (ko)
- The Variations on the name "Abegg" in F major is a piece (theme with variations) for piano by Robert Schumann, composed between 1829 and 1830 and published as his Opus 1. The name is believed to refer to Schumann's fictitious friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word "tema" (Latin). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as witnessed in Clara Schumann's edition of her husband's piano works. (en)
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| - Abegg Variations, Op.1 (en)
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| - Die Abegg-Variationen (op. 1) sind ein Werk von Robert Schumann. Sie wurden zwischen 1829 und 1830 komponiert, und 1831 unter dem Namen „Thème sur le nom Abegg varié pour le pianoforte“ publiziert. Die Spieldauer beträgt insgesamt etwa acht Minuten. Das Stück ist durchgängig im 3/4-Takt geschrieben und in F-Dur komponiert, bis auf das Cantabile, das in der Varianttonart f-Moll steht. (de)
- Les Variations sur le nom « Abegg » en fa majeur pour piano ont été écrites entre 1829 et 1830 par Robert Schumann, et publiées comme son opus 1. (fr)
- The Variations on the name "Abegg" in F major is a piece (theme with variations) for piano by Robert Schumann, composed between 1829 and 1830 and published as his Opus 1. The name is believed to refer to Schumann's fictitious friend, Meta Abegg, whose surname Schumann used through a musical cryptogram as the motivic basis for the piece. The name Meta is considered to be an anagram of the word "tema" (Latin). Another suggestion is Pauline von Abegg. Apparently, when he was twenty years old, Schumann met her and dedicated this work to her, as witnessed in Clara Schumann's edition of her husband's piano works. The first five notes of the theme are A, B♭ (B), E, G, and G. This use of pitch names as letters was also used by Schumann in other compositions, such as his Carnaval. It is composed of: Thema (Animato) (F major)Variations: 1.
* (energico, F major) 2.
* (il Basso parlando, F major) 3.
* (corrente, F major)(cantabile, A-flat major)(Finale alla Fantasia (Vivace), F major) (en)
- アベッグ変奏曲（―へんそうきょく、Abegg-Variation ドイツ語: Abegg-Variationen）作品1は、ロベルト・シューマンが作曲したピアノ作品である。『アベッグの名に基づく変奏曲』(Variationen über den Namen Abegg) とも称される。 (ja)
- 《아베크 변주곡 바장조 작품번호 1》는 로베르트 슈만이 1830년에 작곡한 피아노 작품이다. 이름은 슈만의 상상 속 벗인 메타 아베크(독일어: Meta Abegg)를 지칭하는 것으로 여겨지며, 그의 성을 이루는 낱글자들은 슈만의 작곡한 이 작품의 동기 기반으로 쓰였다. 첫 번째 주제의 다섯 개 음표는 A(가), B♭ (B; 내림 나), E(마), G(사), G(사)이다. 이러한 음높이 이름을 문자로 쓰는 것은 그의 《카니발》 등 다른 작품에서도 나타난다. (ko)
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