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Veni Sancte Spiritus (Come, Holy Spirit), K. 47, is a sacred composition for choir and orchestra by Wolfgang Amadeus Mozart. He wrote it in Vienna in 1768 at age 12. He scored the work in C major for mixed choir SATB with a few solo lines, orchestra and organ. The text is a Pentecostal antiphon, Ad invocandum Spiritum Sanctum (For invoking the Holy Spirit), which begins with the same words as the sequence Veni Sancte Spiritus, but continues differently. Mozart added the subtitle Offertorium, mentioning the intended use during the offertory of a church service. The beginning of the words suggests Pentecost, but the general call for the Holy Spirit seems more likely to have been composed in the fall.

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  • Veni Sancte Spiritus (Mozart) (de)
  • Veni, Sancte Spiritus (Mozart) (es)
  • Veni Sancte Spiritus (Mozart) (fr)
  • Veni Sancte Spiritus (Mozart) (en)
rdfs:comment
  • Veni Sancte Spiritus, K. 47, es un motete coral religioso de Wolfgang Amadeus Mozart, compuesto en Viena en 1768, cuando el compositor tenía doce años de edad. Está escrito en la tonalidad de do mayor para coro mixto, voces solistas, orquesta y órgano. (es)
  • Veni Sancte Spiritus en do majeur, KV. 47, est un motet de Wolfgang Amadeus Mozart, composé à Vienne en 1768, quand le compositeur avait douze ans. Il est écrit pour chœur mixte, voix solistes, orchestre et orgue. (fr)
  • Veni Sancte Spiritus (KV 47) ist eine geistliche Chormotette von Wolfgang Amadeus Mozart. Er komponierte sie 1768 in Wien im Alter von 12 Jahren und setzte sie in C-Dur für gemischten Chor, Soli, Orchester und Orgel. Das Alleluia im zweiten Teil wird manchmal auch in Gottesdiensten außerhalb des Pfingstfestes allein aufgeführt. (de)
  • Veni Sancte Spiritus (Come, Holy Spirit), K. 47, is a sacred composition for choir and orchestra by Wolfgang Amadeus Mozart. He wrote it in Vienna in 1768 at age 12. He scored the work in C major for mixed choir SATB with a few solo lines, orchestra and organ. The text is a Pentecostal antiphon, Ad invocandum Spiritum Sanctum (For invoking the Holy Spirit), which begins with the same words as the sequence Veni Sancte Spiritus, but continues differently. Mozart added the subtitle Offertorium, mentioning the intended use during the offertory of a church service. The beginning of the words suggests Pentecost, but the general call for the Holy Spirit seems more likely to have been composed in the fall. (en)
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  • K. 47 (en)
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  • solo and choir, orchestra (en)
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  • (en)
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  • Pentecostal antiphon (en)
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  • Veni Sancte Spiritus (KV 47) ist eine geistliche Chormotette von Wolfgang Amadeus Mozart. Er komponierte sie 1768 in Wien im Alter von 12 Jahren und setzte sie in C-Dur für gemischten Chor, Soli, Orchester und Orgel. Das Werk ist in zwei Teile gegliedert: die Vertonung der eigentlichen Pfingstantiphon und ein ausgedehntes Alleluia. Der Chor singt fast durchgehend, mit Ausnahme von kurzen jeweils zweistimmigen Soloeinwürfen. Die Orchesterbesetzung umfasst 2 Oboen, 2 Hörner, 2 Trompeten, 2 Pauken, Streicher und Orgel. Es lassen sich große Einflüsse der Kirchenmusik seines Vaters Leopold Mozart sowie Michael Haydns und Johann Ernst Eberlins erkennen. Die Tatsache, dass der Text mit denselben Worten beginnt wie die bekannte Pfingstsequenz, führte zur weit verbreiteten Annahme, es handle sich um eine Vertonung dieser Sequenz. Als Textvorlage diente jedoch die Antiphon Veni Sancte Spiritus, reple tuorum corda fidelium, eine frühere Antiphon zum Magnificat in der Vesper am Pfingsfest. Mozart setzte als Untertitel „Offertorium“ hinzu. Das Alleluia im zweiten Teil wird manchmal auch in Gottesdiensten außerhalb des Pfingstfestes allein aufgeführt. (de)
  • Veni Sancte Spiritus, K. 47, es un motete coral religioso de Wolfgang Amadeus Mozart, compuesto en Viena en 1768, cuando el compositor tenía doce años de edad. Está escrito en la tonalidad de do mayor para coro mixto, voces solistas, orquesta y órgano. (es)
  • Veni Sancte Spiritus en do majeur, KV. 47, est un motet de Wolfgang Amadeus Mozart, composé à Vienne en 1768, quand le compositeur avait douze ans. Il est écrit pour chœur mixte, voix solistes, orchestre et orgue. (fr)
  • Veni Sancte Spiritus (Come, Holy Spirit), K. 47, is a sacred composition for choir and orchestra by Wolfgang Amadeus Mozart. He wrote it in Vienna in 1768 at age 12. He scored the work in C major for mixed choir SATB with a few solo lines, orchestra and organ. The text is a Pentecostal antiphon, Ad invocandum Spiritum Sanctum (For invoking the Holy Spirit), which begins with the same words as the sequence Veni Sancte Spiritus, but continues differently. Mozart added the subtitle Offertorium, mentioning the intended use during the offertory of a church service. The beginning of the words suggests Pentecost, but the general call for the Holy Spirit seems more likely to have been composed in the fall. The work is structured in two parts, the text of the antiphon and an extended Alleluia. The first part is in 34 time and marked Allegro, the second in 24 time and marked Presto. The choir sings for most of the time, only occasionally interspersed by solo lines which are always set for two voices. The orchestral parts are for two oboes, two horns, two trumpets, timpani, strings and organ. The music is influenced by his teachers Leopold Mozart, Michael Haydn and Johann Ernst Eberlin. The Alleluia is sometimes performed independently. (en)
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