The Verweyhal is an exhibition space next to the Vleeshal on the Grote Markt, Haarlem. The Verweyhal was built in the 19th century as a gentlemen's society of the former drama society, later a cultural social club, Trou moet Blycken. The society building was converted in 1924 into the Spaarnebank. The safe was on the ground floor; offices were set up on the first floor. The building was called ‘an unsuccessful box of blocks’ in 1947 by the engineer G. Friedhoff, who wanted to demolish the building and replace it with traditional façades.
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- Verweyhal (nl)
- Verweyhal (en)
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| - La Verweyhal (halle Verwey) est un édifice historique de style néo-classique, érigé vers 1880, et sis sur la Grand’Place de Haarlem, mais avec entrée sur la rue adjacente Grote Houtstraat. Le bâtiment servit d’abord à abriter une association culturelle, puis connut diverses destinations, avant d’être réaménagé en musée au début des années 1990. (fr)
- The Verweyhal is an exhibition space next to the Vleeshal on the Grote Markt, Haarlem. The Verweyhal was built in the 19th century as a gentlemen's society of the former drama society, later a cultural social club, Trou moet Blycken. The society building was converted in 1924 into the Spaarnebank. The safe was on the ground floor; offices were set up on the first floor. The building was called ‘an unsuccessful box of blocks’ in 1947 by the engineer G. Friedhoff, who wanted to demolish the building and replace it with traditional façades. (en)
- De Verweyhal is een voormalige herensociëteit van Trou moet Blijcken aan de Grote Markt en Grote Houtstraat in Haarlem en maakt tegenwoordig deel uit van Museum De Hallen. Het pand is uitgevoerd in neoclassicistische stijl: eind 19e eeuw in de mode, maar later verguisd. In de eerste helft van de 20e eeuw was er veel kritiek op het gebouw. Het werd veel te groot en pompeus gevonden. ’Een voorwerp van algemene verachting’, zo luidde de omschrijving van de deftige herensociëteit. ’Een weinig geslaagde blokkendoos’ werd het pand genoemd in 1947 door rijksbouwmeester Gijsbert Friedhoff, die het pand wilde afbreken en vervangen door traditionele gevels. In de jaren zeventig trad er een verandering op in de meningen over het gebouw en waren er voor het eerst weer waarderende woorden over te horen (nl)
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| - La Verweyhal (halle Verwey) est un édifice historique de style néo-classique, érigé vers 1880, et sis sur la Grand’Place de Haarlem, mais avec entrée sur la rue adjacente Grote Houtstraat. Le bâtiment servit d’abord à abriter une association culturelle, puis connut diverses destinations, avant d’être réaménagé en musée au début des années 1990. (fr)
- The Verweyhal is an exhibition space next to the Vleeshal on the Grote Markt, Haarlem. The Verweyhal was built in the 19th century as a gentlemen's society of the former drama society, later a cultural social club, Trou moet Blycken. In the second half of the 19th century the earlier building of the drama society, which was on the same spot, was too small. In 1876 the society held a competition for a new design. The Amsterdam architect won, and his plan was carried out with the help of local builder A. Raasveld. The building was occupied in 1880. The building is in the Eclectic style that was very popular at the end of the 19th century in Haarlem, but later fell out of fashion. In the first half of the 20th century, the building received a great deal of criticism. It was considered much too large and pompous. ‘An object of general contempt,’ according to the description of the distinguished gentlemen's society. Almost immediately, the gentleman's society had financial problems. Perhaps the building project had been a bit too prestigious. The gentlemen initially tried to alleviate the situation by raising their membership contribution. That did not help, because the number of members declined. As the increased contribution did not solve the problem, the ground floor was rented out as a shop. This income did not help either, and in 1922 the gentlemen were forced to sell the building to the city, which became the new owner for 125,000 guilders, and they moved to their current premises further down the Grote Houtstraat at number 115. The society building was converted in 1924 into the Spaarnebank. The safe was on the ground floor; offices were set up on the first floor. The building was called ‘an unsuccessful box of blocks’ in 1947 by the engineer G. Friedhoff, who wanted to demolish the building and replace it with traditional façades. More renovations were carried out in 1978 when the first floor was remodelled to house the Department of Cultural Affairs, the local City Planning Authority and the office of the City Architect. Fourteen years later, in 1992, the building was renovated again as a future exhibition hall to house the collection of the Haarlem artist Kees Verwey. With support from his newly formed , the first floor received a new name: the Verweyhal. The former city architect made a design for the new layout together with architect . Opinions about the building changed in the 1970s, and for the first time, words of praise were heard. Today, the building is an official monument and still has a museological function. The entrance today to the upper exhibition floors is through Museum De Hallen, Haarlem on the Grote Markt and no longer through the original main entrance on the Grote Houtstraat. Dutch Rijksmonument 513378 Wikimedia Commons has media related to Verweyhal. (en)
- De Verweyhal is een voormalige herensociëteit van Trou moet Blijcken aan de Grote Markt en Grote Houtstraat in Haarlem en maakt tegenwoordig deel uit van Museum De Hallen. Het pand is uitgevoerd in neoclassicistische stijl: eind 19e eeuw in de mode, maar later verguisd. In de eerste helft van de 20e eeuw was er veel kritiek op het gebouw. Het werd veel te groot en pompeus gevonden. ’Een voorwerp van algemene verachting’, zo luidde de omschrijving van de deftige herensociëteit. ’Een weinig geslaagde blokkendoos’ werd het pand genoemd in 1947 door rijksbouwmeester Gijsbert Friedhoff, die het pand wilde afbreken en vervangen door traditionele gevels. In de jaren zeventig trad er een verandering op in de meningen over het gebouw en waren er voor het eerst weer waarderende woorden over te horen. Inmiddels is het pand een monument. (nl)
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