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View of Haarlem with Bleaching Fields (c. 1670–1675) is an oil on canvas painting by Dutch painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Kunsthaus Zürich.

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  • Die Bleichen bei Haarlem (de)
  • Gezicht op Haarlem met bleekvelden (nl)
  • View of Haarlem with Bleaching Fields (en)
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  • Die Bleichen bei Haarlem ist der Titel eines Gemäldes von Jacob Isaacksz. van Ruisdael, das etwa 1670 entstand. Seit 1949 gehört das Bild der Stiftung Leopold Ružička und wird seitdem im Kunsthaus Zürich ausgestellt. Es gibt von dem Motiv mehrere Arbeiten Ruisdaels, die das angesehene Gewerbe des Bleichens von Leinen, das den damaligen Wohlstand der Stadt Haarlem mit begründete, darstellen. (de)
  • Gezicht op Haarlem met bleekvelden is een schilderij van de Nederlandse kunstschilder Jacob van Ruisdael, olieverf op doek, 114,9 x 87,6 centimeter groot, gemaakt tussen 1670 en 1675. In 1887 was het schilderij voor het eerst te traceren toen de verzameling van de Duitse graaf Kaspar Heinrich von Sierstorpff geveild werd te Berlijn. In 1949 werd het werk verworven door het Kunsthaus Zürich, waar het nog steeds te zien is. (nl)
  • View of Haarlem with Bleaching Fields (c. 1670–1675) is an oil on canvas painting by Dutch painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Kunsthaus Zürich. (en)
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  • View of Haarlem with Bleaching Fields (en)
foaf:depiction
  • http://commons.wikimedia.org/wiki/Special:FilePath/Andreas_Schelfhout_-_Nederlandse_landschap_met_uitzicht_op_Haarlem.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jacob_Isaacksz._van_Ruisdael_-_Landscape_with_a_View_of_Haarlem_-_WGA20496.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jacob_Isaacksz._van_Ruisdael_027.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jacob_Isaaksz._van_Ruisdael_001.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jacob_Maris_Slatuintjes_bij_Den_Haag.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/View_of_Haarlem_with_Bleaching_Grounds_c1665_Ruisdael.jpg
  • http://commons.wikimedia.org/wiki/Special:FilePath/Jacob_van_Ruisdael_-_Vista_de_Haarlem_com_branquearia,_c._1665-70.jpg
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  • View of Haarlem with Bleaching Grounds c1665 Ruisdael.jpg (en)
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  • View of Haarlem with Bleaching Fields (en)
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  • c. 1670–1675 (en)
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  • Die Bleichen bei Haarlem ist der Titel eines Gemäldes von Jacob Isaacksz. van Ruisdael, das etwa 1670 entstand. Seit 1949 gehört das Bild der Stiftung Leopold Ružička und wird seitdem im Kunsthaus Zürich ausgestellt. Es gibt von dem Motiv mehrere Arbeiten Ruisdaels, die das angesehene Gewerbe des Bleichens von Leinen, das den damaligen Wohlstand der Stadt Haarlem mit begründete, darstellen. (de)
  • View of Haarlem with Bleaching Fields (c. 1670–1675) is an oil on canvas painting by Dutch painter Jacob van Ruisdael.It is an example of Dutch Golden Age painting and is now in the collection of the Kunsthaus Zürich. This painting was documented by Hofstede de Groot in 1911, who wrote; "92. The Haarlem Bleaching-Grounds. In the left foreground is a marshy pool surrounded with trees. A road leads from it up a hill towards the right background. In the middle distance is part of the bleaching-grounds; large pieces of linen are spread out near cottages, and many persons are at work. In the distance is the town of Haarlem, dominated by the church of St. Bavo. The sky is filled with great masses of cloud which overshadow almost the whole landscape; stray sunbeams illumine part of the town and the bleaching-grounds. Signed in full in the left-hand bottom corner; canvas, 24.5 inches by 21.7 inches. Exhibited at Düsseldorf, 1886, No. 288. Sale. Count Sierstorpff, Berlin, April 19, 1887, No. 67. (en)
  • Gezicht op Haarlem met bleekvelden is een schilderij van de Nederlandse kunstschilder Jacob van Ruisdael, olieverf op doek, 114,9 x 87,6 centimeter groot, gemaakt tussen 1670 en 1675. In 1887 was het schilderij voor het eerst te traceren toen de verzameling van de Duitse graaf Kaspar Heinrich von Sierstorpff geveild werd te Berlijn. In 1949 werd het werk verworven door het Kunsthaus Zürich, waar het nog steeds te zien is. (nl)
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