Voices from the Killing Jar is a musical composition by the American composer Kate Soper. Composed in 2010–2012 for the Wet Ink Ensemble and released by Carrier Records on January 1, 2014, this work was written before Soper’s renowned chamber opera Ipsa Dixit, which was a finalist for the 2017 Pulitzer Prize in Music. Voices from the Killing Jar speaks directly to the #MeToo and #NeverAgain movements. The title was inspired by the device "killing jar" that entomologists use to trap and kill insects with minimal damage to their bodies. The composition invites connections between characters both historical and fictional from widely varying cultures and times. The music examines the ways that eight different women are portrayed in storytelling, with characters borrowed from sources as diverse
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| - Voices from the Killing Jar (en)
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| - Voices from the Killing Jar is a musical composition by the American composer Kate Soper. Composed in 2010–2012 for the Wet Ink Ensemble and released by Carrier Records on January 1, 2014, this work was written before Soper’s renowned chamber opera Ipsa Dixit, which was a finalist for the 2017 Pulitzer Prize in Music. Voices from the Killing Jar speaks directly to the #MeToo and #NeverAgain movements. The title was inspired by the device "killing jar" that entomologists use to trap and kill insects with minimal damage to their bodies. The composition invites connections between characters both historical and fictional from widely varying cultures and times. The music examines the ways that eight different women are portrayed in storytelling, with characters borrowed from sources as diverse (en)
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| - Voices from the Killing Jar is a musical composition by the American composer Kate Soper. Composed in 2010–2012 for the Wet Ink Ensemble and released by Carrier Records on January 1, 2014, this work was written before Soper’s renowned chamber opera Ipsa Dixit, which was a finalist for the 2017 Pulitzer Prize in Music. Voices from the Killing Jar speaks directly to the #MeToo and #NeverAgain movements. The title was inspired by the device "killing jar" that entomologists use to trap and kill insects with minimal damage to their bodies. The composition invites connections between characters both historical and fictional from widely varying cultures and times. The music examines the ways that eight different women are portrayed in storytelling, with characters borrowed from sources as diverse as Shakespeare, Flaubert, F. Scott Fitzgerald and Haruki Murakami. (en)
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