Wanda Wulz (Trieste, Austro-Hungarian Empire 25 July 1903 – Trieste, Italy, 16 April 1984) was an Italian experimental photographer. Wulz was born on 25 July 1903 in Trieste, Italy. Both her grandfather Giuseppe Wulz and her father Carlo Wulz were photographers who shot social events and created portraits of fellow artists and local intellectuals. Wanda began her career photographing musicians, dancers, and actors in Trieste. She exhibited six photographs in Rome in 1930. One example of her work is her self-portrait merged with a portrait of a cat.
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| - Wanda Wulz (de)
- Wanda Wulz (es)
- Wanda Wulz (it)
- Wanda Wulz (en)
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| - Wanda Wulz (* 1903 in Triest; † 1984 ebenda) war eine italienische Fotografin, die mit der Kunstbewegung Futurismus lose verbunden war. (de)
- Wanda Wulz (Trieste, 25 luglio 1903 – Trieste, 16 aprile 1984) è stata una fotografa italiana. (it)
- Wanda Wulz (Trieste, 25 de julio de 1903 – ibíd. 16 de abril de 1984) fue una fotógrafa experimental italiana. Uno de los ejemplos grandes de sus trabajos es el autorretrato fusionado con la imagen de un gato. Tanto su abuelo Giuseppe Wulz, como su padre Carlo Wulz fueron fotógrafos. Ambos hicieron tomas en acontecimientos sociales y foto retratos de artistas amigos e intelectuales locales. Wanda Wulz empezó su carrera fotografiando músicos, bailarines, y actores de Trieste. En el año 1930 hizo una exposición en Roma, donde exhibió seis de sus fotografías. (es)
- Wanda Wulz (Trieste, Austro-Hungarian Empire 25 July 1903 – Trieste, Italy, 16 April 1984) was an Italian experimental photographer. Wulz was born on 25 July 1903 in Trieste, Italy. Both her grandfather Giuseppe Wulz and her father Carlo Wulz were photographers who shot social events and created portraits of fellow artists and local intellectuals. Wanda began her career photographing musicians, dancers, and actors in Trieste. She exhibited six photographs in Rome in 1930. One example of her work is her self-portrait merged with a portrait of a cat. (en)
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| - Wanda Wulz (* 1903 in Triest; † 1984 ebenda) war eine italienische Fotografin, die mit der Kunstbewegung Futurismus lose verbunden war. (de)
- Wanda Wulz (Trieste, 25 de julio de 1903 – ibíd. 16 de abril de 1984) fue una fotógrafa experimental italiana. Uno de los ejemplos grandes de sus trabajos es el autorretrato fusionado con la imagen de un gato. Tanto su abuelo Giuseppe Wulz, como su padre Carlo Wulz fueron fotógrafos. Ambos hicieron tomas en acontecimientos sociales y foto retratos de artistas amigos e intelectuales locales. Wanda Wulz empezó su carrera fotografiando músicos, bailarines, y actores de Trieste. En el año 1930 hizo una exposición en Roma, donde exhibió seis de sus fotografías. Se unió almovimiento futurista en 1932, luego de reunirse con Filippo Tommaso Marinetti en una exposición de arte. Avanzada la década de 1930, su fotografía incorporaba imágenes superpuestas y en movimiento. Hacia fines de esa década, abandonó el movimiento futurista. (es)
- Wanda Wulz (Trieste, 25 luglio 1903 – Trieste, 16 aprile 1984) è stata una fotografa italiana. (it)
- Wanda Wulz (Trieste, Austro-Hungarian Empire 25 July 1903 – Trieste, Italy, 16 April 1984) was an Italian experimental photographer. Wulz was born on 25 July 1903 in Trieste, Italy. Both her grandfather Giuseppe Wulz and her father Carlo Wulz were photographers who shot social events and created portraits of fellow artists and local intellectuals. Wanda began her career photographing musicians, dancers, and actors in Trieste. She exhibited six photographs in Rome in 1930. One example of her work is her self-portrait merged with a portrait of a cat. Wanda often collaborated on work with her sister, Marion Wulz. Both Wanda and Marion would take over the photography studio of their father Carlo. Before creating her own work, Marion, who was also a painter under , served as a model for her father's photography. The sisters photographed celebrities such as dancers and , fencer Irene Camber, and were photographed together by fashion designer . In 1932, she joined the Futurist movement after meeting Filippo Tommaso Marinetti in an art exhibition. Her photography in the late 1930s would frequently incorporate superposed images and motion. She eventually left Futurism at the end of the 1930s. (en)
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