About: War of the Romantics

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The "War of the Romantics" is a term used by some music historians to describe the schism among prominent musicians in the second half of the 19th century. Musical structure, the limits of chromatic harmony, and program music versus absolute music were the principal areas of contention. The opposing parties crystallized during the 1850s. The most prominent members of the conservative circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire which had been founded by Felix Mendelssohn. Their opponents, the radical progressives mainly from Weimar, were represented by Franz Liszt and the members of the so-called New German School (German: Neudeutsche Schule), and by Richard Wagner. The controversy was German and Central European in origin; musicians from Franc

Attributes	Values
rdfs:label	Guerra dels Romàntics (ca) Guerra de los románticos (es) Guerra dos Românticos (pt) War of the Romantics (en)
rdfs:comment	Guerra dels Romàntics és un terme emprat pels historiadors musicals per descriure el cisma estètic sorgit entre músics destacats durant la segona meitat del segle XIX. Les principals àrees de discordança entre ambdós grups van ser l'estructura musical, els límits de l'harmonia cromàtica i la música programàtica enfront de la música absoluta. Les parts oposades es van definir en la dècada de 1850. El cercle conservador, ubicat a Berlín i Leipzig, s'aglutinava al voltant de Johannes Brahms i Clara Schumann i al Conservatori de Leipzig, que havia estat fundat per Felix Mendelssohn. Els seus oponents, els progressistes radicals de Weimar, estaven representats per Franz Liszt i els membres de la posteriorment anomenada (Neudeutsche Schule) i per Richard Wagner. La controvèrsia va tenir el seu (ca) Guerra de los románticos es un término empleado por los historiadores musicales para describir el cisma estético surgido entre músicos destacados durante la segunda mitad del siglo XIX. Las principales áreas de discordancia entre ambos grupos fueron la estructura musical, los límites de la armonía cromática y la música programática frente a la música absoluta. Las partes opuestas se definieron en la década de 1850. El círculo conservador, ubicado en Berlín y Leipzig, se aglutinaba en torno a Johannes Brahms y Clara Schumann y al Conservatorio de Leipzig, que había sido fundado por Felix Mendelssohn. Sus oponentes, los progresistas radicales de Weimar, estaban representados por Franz Liszt y los miembros de la posteriormente llamada Nueva Escuela Alemana (Neudeutsche Schule) y por Richard W (es) The "War of the Romantics" is a term used by some music historians to describe the schism among prominent musicians in the second half of the 19th century. Musical structure, the limits of chromatic harmony, and program music versus absolute music were the principal areas of contention. The opposing parties crystallized during the 1850s. The most prominent members of the conservative circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire which had been founded by Felix Mendelssohn. Their opponents, the radical progressives mainly from Weimar, were represented by Franz Liszt and the members of the so-called New German School (German: Neudeutsche Schule), and by Richard Wagner. The controversy was German and Central European in origin; musicians from Franc (en) Guerra dos Românticos é um termo usado pelos historiadores para descrever o cisma na estética musical que ocorreu entre as facções em que se dividiam os músicos de destaque na segunda metade do século XIX. A estrutura musical, os limites da harmonia cromática, e a música programática versus a foram as principais áreas da contenda. Os opositores ao romantismo cristalizaram musicalmente durante a década de 1850. O círculo conservador, com sede em Berlim e Leipzig, era centrado em torno de Johannes Brahms e Clara Schumann, e no Conservatório de Leipzig, que tinha sido fundado por Felix Mendelssohn. Os seus oponentes eram progressistas radicais de Weimar, representados por Franz Liszt e pelos membros da chamada Nova Escola Alemã, e por Richard Wagner. A controvérsia era alemã e centro-europei (pt)
dcterms:subject	German music history Franz Liszt Romantic music
Wikipage page ID	1170521 (xsd:integer)
Wikipage revision ID	1118052734 (xsd:integer)
Link from a Wikipage to another Wikipage	Carl Reinecke Program music Robert Schumann Romantic music Musicology Allgemeiner Deutscher Musikverein German music history Joseph Joachim Richard Wagner Robert Fuchs Cosima Wagner Russia Niels Gade Chromaticism Clara Schumann Franz Liszt Germany The Artwork of the Future Anton Bruckner Leipzig Ludwig van Beethoven Zwickau Faust Symphony Felix Draeseke Ferdinand Hiller Franz Brendel Friedrich Gernsheim Woldemar Bargiel Peter Cornelius Richard Pohl Adolf Bernhard Marx Franz Liszt Catholic Church Central Europe Das Judenthum in der Musik Weimar Heinrich von Herzogenberg Julius Reubke Karl Goldmark Alan Walker (musicologist) Eduard Hanslick Felix Mendelssohn France Romantic music Hans von Bülow Hector Berlioz Italy Absolute music Albert Dietrich Joachim Raff Johannes Brahms dbr:Karl_Klindworth Symphonic poems (Liszt) Symphony Symphony No. 1 (Brahms) Symphony No. 3 (Bruckner) Symphony No. 6 (Beethoven) William Mason (composer) Piano Concerto No. 1 (Brahms) Meyerbeer Schism Neue Zeitschrift für Musik New German School Lisztomania Symphonic poem Piano Sonata (Liszt) Three Bs Leipzig Conservatoire Programme music Allgemeine Deutsche Musikverein
sameAs	War of the Romantics War of the Romantics War of the Romantics War of the Romantics War of the Romantics War of the Romantics War of the Romantics
dbp:wikiPageUsesTemplate	dbt:Citation_needed dbt:ISBN dbt:More_citations_needed dbt:Reflist dbt:Short_description dbt:Original_research%3F dbt:Romantic_music
has abstract	Guerra dels Romàntics és un terme emprat pels historiadors musicals per descriure el cisma estètic sorgit entre músics destacats durant la segona meitat del segle XIX. Les principals àrees de discordança entre ambdós grups van ser l'estructura musical, els límits de l'harmonia cromàtica i la música programàtica enfront de la música absoluta. Les parts oposades es van definir en la dècada de 1850. El cercle conservador, ubicat a Berlín i Leipzig, s'aglutinava al voltant de Johannes Brahms i Clara Schumann i al Conservatori de Leipzig, que havia estat fundat per Felix Mendelssohn. Els seus oponents, els progressistes radicals de Weimar, estaven representats per Franz Liszt i els membres de la posteriorment anomenada (Neudeutsche Schule) i per Richard Wagner. La controvèrsia va tenir el seu origen en Alemanya i Europa Central; els músics francesos, italians i russos van estar involucrats únicament de forma marginal. Els compositors de les dues parts van recuperar a Ludwig van Beethoven com el seu heroi artístic i espiritual; els conservadors veient-lo amb un cim insuperable i els progressistes com el començament d'una nova música. (ca) Guerra de los románticos es un término empleado por los historiadores musicales para describir el cisma estético surgido entre músicos destacados durante la segunda mitad del siglo XIX. Las principales áreas de discordancia entre ambos grupos fueron la estructura musical, los límites de la armonía cromática y la música programática frente a la música absoluta. Las partes opuestas se definieron en la década de 1850. El círculo conservador, ubicado en Berlín y Leipzig, se aglutinaba en torno a Johannes Brahms y Clara Schumann y al Conservatorio de Leipzig, que había sido fundado por Felix Mendelssohn. Sus oponentes, los progresistas radicales de Weimar, estaban representados por Franz Liszt y los miembros de la posteriormente llamada Nueva Escuela Alemana (Neudeutsche Schule) y por Richard Wagner. La controversia tuvo su origen en Alemania y la Europa central; los músicos franceses, italianos y rusos estuvieron involucrados únicamente de forma marginal. Los compositores de ambas partes recuperaron a Ludwig van Beethoven como su héroe artístico y espiritual; los conservadores viéndolo con una cima insuperable y los progresistas como el comienzo de una nueva música. (es) The "War of the Romantics" is a term used by some music historians to describe the schism among prominent musicians in the second half of the 19th century. Musical structure, the limits of chromatic harmony, and program music versus absolute music were the principal areas of contention. The opposing parties crystallized during the 1850s. The most prominent members of the conservative circle were Johannes Brahms, Joseph Joachim, Clara Schumann, and the Leipzig Conservatoire which had been founded by Felix Mendelssohn. Their opponents, the radical progressives mainly from Weimar, were represented by Franz Liszt and the members of the so-called New German School (German: Neudeutsche Schule), and by Richard Wagner. The controversy was German and Central European in origin; musicians from France, Italy, and Russia were only marginally involved. Composers from both sides looked back on Beethoven as their spiritual and artistic hero; the conservatives seeing him as an unsurpassable peak, the progressives as a new beginning in music. (en)

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